Saturday, July 20, 2013

Photographing Nature


Saturday Ambassador

Most photographers develop a preference with regard to genre, style and subject matter which defines their professional existence. However, many choose to experiment in other realms for personal enjoyment, as well. Such explorations can be very educational, as a photographer can assimilate a host of new techniques and approaches into their repertoire. This can engender innovation and inspiration, as well as honing existing skills.
Nature is all around us, even in an urban environment, and is often a good place to start.  You might take a trip to an interesting location, visit the local botanical gardens or zoo, go to a park in your area or spend some time in your own garden. Flowers, rocks, water, storms, sunsets, clouds and insects can contribute to some exquisite natural imagery.
               Summer Storm over Antelope Island, Lake Powell, Utah, Deva Mayorga-Malone, 2013, panoramic composite
 
Photographing nature is an exceptional way to learn to mix artificial light with natural light, capture subjects in motion, expose for a broad dynamic range and develop the patience and eye for detail that are fundamental aspects of the art.
Here are a few suggestions for producing great photographs of the natural world:
§  Perspective: Humans most often view the world from a standing position and, subsequently, look down at things such as flowers and small animals. Consider shooting subjects like these from their level or from below for a unique look.
 
§  Composition: When you are attracted to a scene, you probably stop to photograph it. Don't move on too quickly, however, as your first impression may not be the only or even the most interesting composition. Walk around your subject and study it from various angles. When framing the shot, consider angles (diagonals can add depth to an image), direction of light/shadows, background/foreground, distracting elements, et cetera.
 
§  Lens choice: Selecting the lens best suited to your subject will naturally produce the best images. Consider how close you should be to your subject and how much of the back- and foreground you intend to include and decide accordingly.
 
§  Depth of field: Landscapes often benefit from a narrow aperture, such as f/16. However, a wide aperture like f/4 or lower can separate a subject from the background nicely by creating a background blur.
 
§  Light: As photographers, we are generally attracted to exceptional natural light and endeavor to use it to our advantage. Great subjects do not always reside within that fabulous light, however, or may benefit from the addition of supplementary artificial light. Electronic flash or a reflector can often accentuate a subject or provide fill light where required. Get your flash off the camera by attaching a synch cord or using a flash trigger. The unit can then be held (or mounted atop a light stand) away from the lens axis to light the scene in an attractive manner.
 
§  Details: Don't forget the details! Often, texture or pattern, a reflection or some minute component of the subject may be of interest in itself. It is worth exploring these additional aspects of the subject matter for the artistic potential they hold.
 
             Exquisite Sandstone Formation, Lake Powell, Utah, Deva Mayorga-Malone, 2013, digital photograph

~Saturday Ambassador