Showing posts with label Photography Equipment. Show all posts
Showing posts with label Photography Equipment. Show all posts

Wednesday, September 18, 2013

Where Should I Shop for Cameras and Equipment to Get the Best Deals?

Where’s the best place to buy a camera or other photo equipment? With so many options now, how is someone supposed to know where to start?

Obviously when you start shopping you should check out options and prices on the internet. Now be careful when you are looking at a particular product, be it a camera, lens, or other photography equipment, that you know what you are getting. When I bought my Canon 5D Mark II, I found sites that offered Canon 5D Mark II at really low prices, from Asia. They are call “knock off” products for a reason. They tell you they are the same, but the quality is usually lower AND (important point) there is no manufacturer’s warranty from Canon.  So Lesson 1: Make sure you know what is being sold. 

Lesson 2: Purchase from a reputable dealer. You CAN get great deals online. I purchased my camera used through Amazon.com. It actually was being sold by a pawn shop out west. It was an amazing deal. Because it was through Amazon, I had their guarantee policy. So as soon as it arrived, I tested the entire camera out and found that there was a row of dead pixels in the sensor. I contacted the seller and told them I would either return the camera, or they could pay for the repair work to be done by Canon. They agreed to pay for the repair work, which was $250 dollars. (Actually they credited the $250 back to me and I paid Canon). BINGO! I had a perfect camera totally repaired and certified by Canon. I only paid $1500 for the camera body including the repair. I already had Canon DSLRs so my lenses transferred to the new camera.

I almost always check Amazon first when looking for camera and accessories because most of the major camera equipment stores sell through them, and may offer better deals through Amazon than on their own websites such as B&H or Adorama. When you look at something on Amazon, see where it is being sold from. If you look up an L-series 24-70mm lens today, there are a bunch of used ones being sold from Japan. I’d stick with stateside purchases. Check out some used dealers also. One I trust is KEH.com. Also check in Rangefinder or Professional Photographer magazines for dealers.

Lesson 3: Get great deals at trade shows at the national photography conferences. When I attended the WPPI convention a couple years ago, I spent a lot of time at the trade show. I learned a lot and made some great vendor connections I’m still using today. I also found fantastic deals, most which were good for 30-60 days after the convention. This is how I bought my Westcott studio light package. I saved about 50% of the total retail cost. I also purchased template software for albums, photo collages, and marketing materials for a fraction of the normal cost. Beside all the valuable training and classes and interaction with great photographers, I was able to make great purchases, and plan for future purchases. (It was at the Canon booth that I learned that I wanted a 5D Mark II and L-series lenses to regain the quality I lot switching from medium format film to digital. So when I was ready to purchase, I could spend time looking for a great deal.)

The most important thing to remember when making photography equipment purchases is (Lesson 4) that YOU are the most important piece of equipment that will determine how your images turn out. Save BEFORE and buy when you can pay cash. While you are learning, you don’t have to have the best equipment. Learn to use what you have now to make great images. Then when you can afford to upgrade, you will be that much further ahead. 

Saturday, August 24, 2013

Equipment Envy


Saturday Ambassador

Human beings are a conceited lot, particularly when it comes to our tools and our toys...and photographers are no exception. It is fun to arrive on the scene with a lot of impressive-looking equipment – a bewildering array to the casual observer. It is prudent, as well, to purchase the best you can afford, as this equipment is an investment in your future and better quality means better performance.
However, this does not mean that you can't be creative and thrifty when necessary. One of my first public photo shoots involved portraits for a high school senior in a park. As a student in my first year at the Art Institute, I had not yet amassed a great deal of equipment and I had to "make do" with some less-than-impressive-looking accessories. Okay, I had reflectors consisting of aluminum foil taped to cardboard. When I arrived, had to walk past a highly professional outfit with large-frame diffusers, exotic lighting and an immense crew to handle it all. The photographer approached me and, with a perfectly professional demeanor (read: a straight-face) discussed with me where I would be working and where his crew would be working so that we did not interfere with one another's shoots. I learned an important lesson that day: Photographers who are truly professional understand that we all have to start somewhere and extend courtesy to one another as a matter of course. Regardless of the man's personal opinion regarding my unusual gear, his attitude toward me as a colleague was kind and bolstered my confidence tremendously.
 
There is another valuable lesson here, as well: The ability to devise a needed piece of equipment on the spot is a valuable skill that will serve you through the end of your career. Buy (and carry) a roll of gaffer's tape, a flashlight, various types of clamps (from Home Depot, not B & H, though those are helpful, too), ratchet straps with hooks, a hammer and some nails, et cetera. Having to send someone (or yourself) after a piece of equipment wastes time; doing without might mean that you miss some great shots. The ability to improvise in a moment of crisis saves valuable time and money, impresses clients and allows you to get the shot that others miss.
A couple years after the senior portrait incident, I rented a park in the mining town of Superior, Arizona (yes, I rented the park...for $25!) in order to have full access to all of its amenities, to set up lighting equipment and run extension cords everywhere. My efforts attracted an audience, but everyone kept a respectful distance (I must have looked like I knew what I was doing).



Miner 27 Deva Mayorga-Malone, 2012, digital photograph

And I guess I did!

~Saturday Ambassador

Friday, July 26, 2013

Pay Attention! This Is Important...


Saturday Ambassador

I like to believe that most human beings are basically decent and won’t harm you or steal from you and will treat you and your property with due respect. However, I am 43 years old and I’ve been around the block a time or two. Over the years, I’ve developed a rather cynical attitude; I’ve worked in professions, such as law enforcement and the transportation industry, that have brought me into contact with some of the less desirable aspects of the human species.

For the past thirteen years, I’ve been an OTR (over-the-road) truck driver, delivering freight across the nation via eighteen wheels. I carry the tools of the photographic trade with me in the truck, in lieu of the ubiquitous television and other normal trucker paraphernalia. My sleeper is studio, production set, digital darkroom and library. The equipment I traditionally carry includes cameras, lenses, lighting gear, sound apparatus, two laptop computers and a portable generator. The value of these items totals well over $10,000 and, as a student, I would find any of this equipment very difficult to replace. If I was injured in an accident and the vehicle towed, it is very likely that many these valuable items would simply “disappear”. Far too many people have access to such an event and not everyone is scrupulously honest.

Photographic Equipment, Deva Mayorga-Malone, 2013, HDR Composite
 
I have been on vacation for the past couple weeks, and my truck has been sitting in an unsecured tractor-trailer lot in a major metropolitan area. When I returned, I found that my truck had been ransacked and tools, CB radio, et cetera were gone. Fortunately, I had removed most of my valuables and all of my photographic paraphernalia from the vehicle, yet it is certainly vulnerable when I am working.

Door Damage 1,  Deva Mayorga-Malone, 2013, Digital Cell Phone Image
 
Though few students probably travel as much as I do, you must transport your equipment from time to time to complete assignments on-location. Here are some tips for keeping your equipment safe:

*      Lock your car! I know that sounds basic, but it is vitally important even if you are in a rural area and know everyone.

 

*      Don’t invite theft. Don’t leave items in the car where they are visible – place them in the trunk, cover them with a blanket, whatever it takes. This stuff is far too valuable to lose to a thief.

 

*      Don’t talk about the equipment that is in your vehicle. The less people know, the safer your belongings will be.

 

*      If you don’t have an alarm, get a fake: A box with a flashing red LED that sits on the dashboard is a very good deterrent. Thieves look for easy prey.

 

*      Park in well-lit areas where others can see your car and don’t leave your loaded vehicle unattended for long if you can help it.

 

*      If a theft occurs and you discover the scene, don’t touch anything. Let the police collect evidence before you inventory your loss.

 

*      Keep your receipts and make a list of equipment serial numbers. This is how the police will track your equipment if it is stolen.

 

*      Perhaps most important of all, insure your equipment. Many insurance companies will write a provision for equipment that is not business-owned on a homeowners’ or renters’ insurance policy. If you do have a photography business, you should insure your equipment as a matter of course as a prudent business owner.

 

These are the tools by which you will perform your craft as a photographer. Protect your investment!

~Saturday Ambassador

Sunday, July 21, 2013

Good Morning from your Sunday Ambassador. My name is Wayne, I am currently enrolled in the BS Photography program.  I hope you are all staying cool from this heat wave. There are many different areas of photography, as there are many wonderful photographer's. One of my favorite subjects to photograph are weddings. This is a face paced environment and you don't always have the time to set up and get that "spectacular" image. I have worked with some great photographers who's idea was quantity not quality. So by the end of an 8 hour wedding they may have 3000 images, but many are unusable. Use your available ambient light, and always shoot in manual.

When photographing a wedding it is very vital that you know your equipment. This includes your camera, speed lights, strobes, remote triggers, reflectors and soft boxes. Try not to rush your images, take your time so that you can create those long lasting memories for your clients. Furthermore, know the advantages of shooting in manual mode vs. shooting in auto or one of the presets. Manual allows you, as a photographer to create the photograph and not allow the camera to decide what the final image looks like.

When photographing, I always shoot in RAW instead of JPG because RAW will capture all the data in the image with minimal compression. This allows for easier post production.

Below are some photographs from two recent weddings. Please feel free to ask questions and leave feedback.

                                                         Flash Mob Photography Network - Wayne Salat
   Flash Mob Photography Network - Wayne Salat
                                                       Flash Mob Photography Network  - Wayne Salat
                                                          Flash Mob Photography Network - Wayne Salat