Thursday, March 26, 2015

Handing Negative Comments on Your Images Gracefully

Last weekend two photographer that I follow and are inspired by had nasty posts from people on photographs on their Facebook Pages.  Both of these amazing talented woman do their very best to help photographers grow.  They never stop remembering what it is like to be a new photographer.  As each struggled with their own reactions to this situation I thought what a good topic for our Friday Blog post. 

Clearly at some point in your career you are going to run into negative people who either don’t get your artistic statement or they aren't going to get your vision. 

How do you handle it gracefully so that you can pull any real feedback you can use but push away anything that has no merit?  In class you will get reviews that you don’t like be it from teachers or students.  It will make you want to scream your head off if you worked really hard at the assignment but ultimately you learn and grow from those critiques.   

Once you leave school  it is good to know you will at times still face unwarranted negative feedback.  How you handle it can cause you to lose clients or it can make you into a champion where your followers relate to your struggles as an artist.  Here are two things to keep in mind when you want to lash out and make a comment you might regret later

                                                          Understand where the comments are coming from


Is this another photographer who is jealous of your success?  Did you critique their work and they didn’t take it well.  Try to look at the person who is commenting.  Is this someone who is trying to provide you feedback so you can grow?  If you respect the person try to see the comments and their view point before you respond.

                         Did you post an image that you could see could cause a negative comment?

Your image isn't wrong.  I know that sometimes I still post an image that I can see is going to cause a discussion about my intent.  If you wrap a baby in a scarf that looks like a flag, it is going to cause someone to comment and a huge discussion or argument will probably happen. Does it make that image less powerful especially if the father is a serviceman? No, but it does leave you open to be critiqued.  In a situation where I know an image is going to cause comment I am the first to comment on the situation behind it.  In the case of one of these  two photographers posted an image of five 8 year olds who dressed themselves. The image is amazing and endearing.  She felt there was nothing in this image to cause an argument or mean comments.  Some of the clothing choices the girls made were more risqué.  It cause the nasty discussion on her image.  She finally removed the image and was upset but came back with a strong inspiring blog post that I will share a link to.

Your vision is your vision and it isn't right or wrong. You don’t have to defend your image if you don’t want to. However it will help people who are having a hard time understanding your image if you take the time to stay calm and explain what you see when you look at the image.  We all have our own frame of reference and sometimes we have blinders on until someone helps us to see art in a different way.

As I mentioned one of the photographers, Meg Bitton took her anger and wrote a truly amazing and uplifting Blog post about where inspiration comes from.  She told her followers that she removed her image and wouldn't spend any more time deleting insensitive comments about the image. She wasn't just concerned about her image but the fact the young girls might see the negative comments about their innocent picture.  She then posted the blog post.

There may never be a perfect way to handle a situation where someone attacks your image but I hope that I have enough grace to handle it like Meg.  Please read her blog when you have time. It will make you remember why you became a photographer in the first place and understand this is a gracious way to handle an attack on your art!


Happy Reading! I look forward to your input on this topic.
Jessi

Work Cited

Bitton, Meg. "Thoughts." Meg Bitton -. N.p., 23 Mar. 2015. Web. 26 Mar. 2015. <http://www.megbitton.com/thoughts/>.

Monday, March 23, 2015

Monday Ambassador

Hello,


I hope everyone is having a great Monday so far.  I wanted to share some thoughts with you about the program and the challenges we face.  The photography program is quite difficult and that is what makes it a good one.  There are so many times that I look at an assignment and think to myself,  how am I going to do this?  Really just by taking one step at a time and not getting overwhelmed.  It is so great that we have this advantage of student ambassadors to help us through times like this.  I wish that I had known about this a long time ago. 


Whatever class you may be in, if you have struggles please don't hesitate to contact me or one of our other student ambassadors for guidance.  Also, always remember that your instructor is there for help too.  My instructors are always willing to help with any questions or problems.  Remember to stay positive and keep your head up. 


Barbara Ann

Sunday, March 22, 2015

Top Ten tips for Success in the Classroom…

This weeks post comes from one of our other Alumni, P. Seth Roberts. Seth graduated with his BS in photography back in October of 2014. You can check out his website here.

Hello! My name is P. Seth Roberts, owner of PSR Images, and a former student from AIO. I have since graduated in October of 2014, with a Bachelor’s degree in Photography. I have been asked to create what I believe to be the top ten things to consider for success in the classroom. My list contains technical, academic, and personal considerations. I am honored by this request, so, I humbly submit the following list.

Be Open / Be Humble

When I first joined AIO, I already had several years of professional filmmaking under my belt. I wasn’t sure what, if anything, AIO could offer me. However, I also knew that if I had entered my studies with anything but a complete willingness to learn, it would ultimately prove futile. I learned more about capturing images through my complete commitment to studies than I did in my experience as a film director. My time at AIO not only made me a good photographer, but a much better filmmaker.

Also, remember, this isn’t a competition between you and your classmates, or you and the Professor. It isn’t whether your images are the best in class, but are your images the best they can be, for the sake of the assignment.

Criticism isn’t Mean, it is Critical

Learning to take criticism is part of the student process. Let’s face the truth of it, you will never impress or get everyone to like your work. That’s life, you have to learn to deal with it. People will love or hate your work for various reasons. You take it, and you move on.

However, criticism in class is NEVER meant to be destructive. I remember several classes when I did what I thought was my best work. I was ready for the shower of praises I felt was sure to come once I posted my assignment. Then, when I logged in and saw this litany of criticism from Professors and peers, I was devastated. I questioned whether or not I even belonged there.

Having the wrong attitude toward criticism will inhibit your growth as an artist, professional, and human being. I had to determine that I was going to be a photographer, and that meant putting on my big boy pants, growing thick skin, deeply considering the criticism, then making the changes that were necessary to my growth. Don’t let personal pride get in your way!

Breaking Away from Safe

By nature, I am a very introverted individual. New people worry me, crowds scare me, and the world to me is a dark and dangerous place.  With that said, my introverted nature was actually hampering my ability to perform as a photographic student, it can also be contradictory to the very practice of photography. Unless I was going to simply photograph my walls, I needed to go against the grain and step out into the world. It was uncomfortable, it was challenging, and at times I hated to do it.

However, once I took the step, and I adhered to the requirements of my assignments, (shooting in manual only, etc…), I noticed an enormous increase of skill and understanding of the science behind picture taking. We don’t get better by doing what we’ve always done, we get better, we become masters of our crafts, by doing the things we haven’t, the things that challenge us to depart from our very natures.

Owning a Camera, does not a Photographer make

Your Professors will say this over and over again, and it may become so repetitious that it becomes annoying, but ask yourself these two questions: 1. If it weren’t so true, so important, would so many Professors say it so often? 2. What does a photographer do, if he/she does not take pictures?

Taking pictures is what we do folks, and if that annoys you, then perhaps being a photographer isn’t for you. I get it, I understand, believe me. I have been sick, tired, stressed, all of that. Realize this, that only through practicing your craft, experimenting with equipment and light, will you ever become a professional photographer. Take pictures, take thousands of images.

Technically Speaking, Can You Do It Again
I remember several classes both for outdoor and indoor shooting when we were required to record all of our camera settings, for each shot. This included, lighting scheme, ISO, shutter speed, white balance, color setting, and more. This was done for two reasons, first to make you think about what you were doing and why. More importantly however, I feel it is to help you understand how you were able to create an image.
We’ve all been there, when we snap 400 images, hoping to capture the one that will be what we wanted, what we were hoping for. Not only does that waste time and energy, but it shows a serious lack of understanding about the science and aesthetics of good photography. That doesn’t mean you won’t take 400 images of a subject, however, knowing how and why things work will ensure that many of those images will be what you are looking for. Learn you camera, learn your light meter, and learn those pesky little settings, and you will see the quality of your work improve greatly.

Attitude and Habit Follow You Out The Door

Consider this, and if it makes you mad, well…. perhaps you should reconsider your attitude. Your approach to your studies, and your assignments will be the exact same way you operate as a professional photographer. If you are lazy and late, only do half the research, or try to fudge your way through your assignments, not only do your Professors know, but you will do the exact same thing when you open your own shop.

Your time at AIO is there to teach you not only the craft, but the professional habits and actions of a successful photographer. Treat each assignment, even written assignments, as if you’ve been approached by a client. While granted, some of the images I had passed in were a disaster, I put my best effort into each and every one. Only through risk and hard work, was I able to grow and become a success.

Communication

Talking with your Professors is paramount to your success. These highly trained and experienced experts are photographers that currently work in the field, and make money at what they do. If there is something, anything you do not understand, they are the BEST source of knowledge you will have far beyond anything you could learn in a text book, or from fellow students who are learning right alongside you.

That isn’t to say text books aren’t important. To the contrary, they are very important to building a solid foundation of understanding. With that said, books can’t directly answer question, but your Professor can. Reach out to them, it is after all what they do.

This should include times when you are confused about your grade, struggling with deadlines, or any other issues you may have.

Obstacles Are Nothing More Than Challenges To Overcome

I live in Maine and come from a small town, so there were two big challenges for me to overcome to meet several assignment requirements. These particular challenges were weather and a small population. It was often difficult to shoot in snow, and to meet particular assignments because we were far from any real large city or population center.

Do not let this become a stumbling block for your success. There are always ways of overcoming anything that gets in your way. It is times like this that you must learn to think outside the box. These challenges, whatever they may be, are not to be feared, but embraced. They will make you stronger and more effective as a professional photographer.

You will learn to do things you would never have thought of if these challenges hadn’t arisen. Believe me when I say, challenges will come with every shoot. The last thing you want is to be on a professional shoot, have something occur, and be unable to come up with a solution.

Study, Study, Study, then Study Some More

Studying is the very essence of learning and truly comprehending your craft. Fudging it, plagiarism, and trying to sneak your way through is unacceptable. It goes back to who you want to be as a professional. You must have a firm foundation of your art, if you truly expect to be a recognized contributor to photography.

Yes, there are so many text books, and so many chapters, and so much information you are expected to have, however, without it, you’re just another person with a camera, that can take cute pictures. To be successfully active within your field of study means that you have a firm grasp of the science, history, and aesthetics of the program.

On another note, many students attempt to enhance their images by “breaking or bending” the rules of photography for the sake of art. STOP right there. Before rules can be broken or bent, you must first have a clear understanding of the rules, why they are there, and how to “break” them in order to create the best image possible. Breaking or bending the rules of photography, especially as a student does not show a deeper understanding of art, rather it shows an ignorance of professional camera use.

Put It Into Practice

As I have stated earlier, your Professors are experienced professionals, currently working within the field of photography. When they give you pointers, PAY ATTENTION, and put it into practice. They know what they are talking about, and coming from someone who was a fellow student, it works.

This includes carefully constructed portfolios, well-made and functional websites, the proper use of social media, a smartly crafted artist statement, understanding context versus content, business plans, dealing with galleries, and methods of marketing. IT WORKS!!! Regardless of your brand, there is something in their wisdom and lessons for everyone.

These 10 methods worked very well for me, and while I could go on and on with many techniques that helped me to graduate with Dean’s Award, we could save that for further discussion. Each one of you has something unique to contribute. Don’t give up, don’t give in, believe in yourself. You will find your voice, I promise.
Comments/Questions

Friday, March 20, 2015

The Journey to Finding Your Own Voice

Hello everyone! I'm the new Friday Ambassador Jessi James. I started at the Art Institute in March of 2013 and I'm working on my BS in Photography.  I've been an SPS student leader since I started and I am excited to expand my roll to that of an Ambassador.

Frequently on your own journey here at AI you will hear all of us say to you what is your style? What sets you apart from every other photographer? Well if you were like me when I first started that question can set you into a panic saying I have NO idea!!

That is OK. Take a deep breath, no one starts out knowing what their own style or voice will be.  It is a process, a continuous ongoing process that changes as you change and grow.

The first question you might ask is why on earth do we ask you what your style is?  That is a very good question!

It is your own  style that will set you apart in our industry.  It is what helps to make sure that the right kind of clients for you find their way to you.  To give you an example, I thought I'd share my journey to finding my current style with you and how I define it to potential clients.

I actually created a fun single page introduction letter about myself to help potential clients know if I'm the right photographer for them. It helps to show my personal style and the style of photography a potential client might get if they elect to hire me.

                                                              Let your style show!
 
As you can tell I let my introduction letter share many hints about my style or creative voice! When I am asked, "Do you shoot Seniors?"  I always mentally pause.  I then will say I do shoot Seniors but if what you want is a standard Senior shoot let me introduce you to one of my colleagues.  I can completely do a great standard Senior shoot, however, if you want my best work I need a Senior who allows me complete creative control.  If you want a photographer that will work with you and your Senior to make sure you get the shoot that tells your Senior's story then I am your Senior Photographer.

When you have already realized your own creative voice it becomes easier to define your style in the way that you shoot.  Much like this introduction letter I will never be done evolving my creative style. The journey to finding my own voice will never end, it is a life long journey.  A document like this one is a tool to help define your style until your photographs can tell your story.

The greatest tip I can give you on your journey to defining your own style is shoot ... EVERYTHING!  I used to hate sports. It just wasn't my thing.  I took a job as a second shooter shooting Semi-Pro Football last summer.  After my first game I became the only photographer for my team and I was also hooked! This has lead to my paid internship shooting for the Jackson Silverhawks this summer.

So shoot often, shoot everything, and enjoy the journey of finding your own style! I look forward to being part of it!




Comments/Questions

Monday, March 16, 2015

Monday Ambassador

Hello,


My name is Barbara Ann Giovannucci and I am the new ambassador for Monday.  I started at AIO in January of 2013 to get my Associates Degree in Photography.  I really enjoy the online classes because they give you the flexibility of being able to be in class and do your work at your convenience.  I wish I knew about this website for the past 2 plus years because there is a lot that I could have used assistance with.  I would say that if you are confused about something or just need insight on it just ask.  There are so many different resources that are there for your advantage and we are here to learn so don't be afraid to ask questions. 


Some tips that I have on how to be a successful online student are as follows:


1.  Attend class regularly and make sure you read so you understand what is expected of you.  Read ahead so that you are prepared and not stuck at the last minute without something that you need.


2.  Always have your assignments in on time.


3.  If there is a problem and you absolutely cannot do your assignment let your instructor know.  It is very important to communicate with your teacher so they know your situation. 


4.  Plan your schedule ahead of time so that you know when you will be doing your school work.  We are all busy and if you don't plan ahead it's going to make things very difficult. 


5.  Keep in contact with your counselors.  Call them if you have questions or problems. 


I will be here to answer any questions that I can.  Feel free to contact me if you need anything. 




Barbara Ann

Sunday, March 15, 2015

Camera Carry Systems

One of the toughest decisions you’ll make as a photographer is what carry system is best for your camera?

Today there are a multitude of camera straps and slips and other items for carrying your camera. What one is best for you is a matter of taste and versatility. One of the things that has always bugged me is why do the camera manufacturers give you such a crappy camera strap for your new camera? I mean if you are spending $500+ why don’t they throw in a good, well padded camera strap? The frees ones they give you are cheap thin straps that are very uncomfortable and it annoys myself and many other photographers.

Today am going to talk about some other options for camera straps and carry systems. One of the first I can personally recommend is called the Indigo Marble Soft Padded Black Neoprene Quick Release strap. Some of the things I love about this strap is the fact that it is heavily padded so that it does not cut into your neck or shoulder even with the heaviest camera and lens system attached. It also comes with a quick release system and instead of attaching to your metal strap loops, it attaches to your camera’s tripod mount on the bottom. You don’t lose anything because the strap attachment has it’s own tripod mount so you can use the strap with your tripod. I can wear this strap for hours on a photowalk and have no discomfort at all. It also has quick release clamps so you can set them and the camera will only slide so far up or down on the strap. This makes it quick and easy to slid your camera to just the right position to shoot and then release back to your hip. This strap is a little more expensive at $45 on Amazon but remember the old adage, you get what you pay for.


Indigo Marble Neoprene strap
The second item I will mention and recommend is the Spider Pro holster system. I also have one of these and it’s great as it has a quick release system with a lock to it. You can wear your camera on your hip like a gunslinger in the wild west and raise, release and shoot very quick and easy. Once you are done shooting, slid it back into the holster, lock it and no one can snatch your camera in a crowded street or park. Spider also makes a double camera belt which will allow you to have a camera on both hips, as well as a less expensive Black Widow system which has a velcro fastener instead of a locking belt buckle but it is only for light cameras with a small lens like a 40mm STM Pancake lens. The Spider Pro and Spider Duo Pro are $125 and $250, but the Black Widow is only around $60.


Spider Pro holster system


The third option I recommend is a camera wrist strap such as one by Opteka. These are handy little gems and attach to your camera’s tripod mount just like the Indigo and the Spider do. You do need to still use one of the camera’s factory strap mounts and then you slide your hand into the strap and fasten the lock strap around your wrist. This system is nice as you can shoot street photography and someone cannot run up and snatch your camera as it is locked to your hand and wrist. The Opteka can be purchased on Amazon for around $9, which makes it the most affordable camera carry system.

Opteka camera wrist strap

Do you have a preferred camera carry system that I have not mentioned here? Feel free to post in the comments and let me know. Now get out there and make some great images.

Comments/Questions

Sunday, March 8, 2015

What Lenses Should I Buy?

One of the questions posed frequently to myself as well as to the professors at AI is this one. The question is a tricky one to answer because there are a couple of factors to consider, such as how much money you can afford to spend and what your photographic style is.

If you shoot landscapes, then you want to buy a wise lens such as a 10-20mm or 17-40mm. Both Canon and Nikon offer a decent 18-55mm as one of their standard kit lens. Although the 18-55mm is a inexpensive one, they make very good images from my experience. Of course if money is not a major concern and you shoot Canon, you can go with either the EF 16-35mm or the 17-40mm L lens. On the Nikon side you have the 14-24mm which is an excellent, high quality lens that makes fantastic images.

For those that want to shoot wildlife or anything else that requires more reach, you can look at 70-200mm, which is an extremely popular zoom used by many professional photographers. At 70-200mm you have the most popular focal lengths in a single lens. Both Canon and Nikon make very high quality lenses in this range, as does Tamron if you are budget minded. This lens is also available in both a less expensive F/4 aperture and the faster, more expensive F/2.8. If you want the F/2.8 without spending $2,000-$3,000, then look at the Tamron, which runs around $1,000 and from every review I’ve read by pros say that it takes every bit as soon an image as the more costly ones made by Canon or Nikon.

                                   Portrait shot using Canon EOS 5D with 28-135mm @ 135mm

Your bread and butter will be portraits, then you want to get a prime portrait lens. The most common lenses for portraits are the 50mm, also known as the Nifty Fifty, 85mm and 135mm. When it comes to Canon, there are three of each the 50mm and the 85mm to choose from and again, it mostly depends on how much you want to spend. The 50mm F/1.8 is inexpensive at around $100 and makes really good images, the 50mm F/1.4 USM is around $400 and is much better build quality and takes even better images. The third is the 50mm F/1.2 L which is very expensive but also makes the best images. In the 85mm, Canon makes the $500 F/1.8, the 85mm F/1.2 L original and the newer 85mm F/1.2 L Mark II. The L series lenses are expensive, running around $2,000 and believe it or not, the less expensive F/1.8 makes much better images. The original L series 85mm had lots of issues with color fringing and the Mark II edition has AF issues. The third and final really good portrait lens on the Canon side is the 135mm F/2 L.

                                 Abandoned Rite Aid shot using EOS 6D with 17-40mm F/4 L

Regardless of what you are going to shoot primarily, it is always a good idea to have 3 or more lenses as you never know when you might need another focal length or prime. I love to shoot landscapes, but like most photographers, I know I need to shoot portraits as well as that is how most of us pay the bills. Since I need to do portraits as well, I own the 85mm F/1.8 USM and the 50mm F/1.4 USM. I am also planning to at some point down the road to buy the 135mm F/2 L so that I have a little more reach.

I hope this information helps you to make some choices on what you want to carry in your camera bag, now get out there and make some images!

Comments/Questions

Sunday, March 1, 2015

The RAW versus JPEG Showdown

Since the beginning of Digital Photography there has been an ongoing argument on which is better RAW or JPEG and it can at times become a heated discussion. I am going to try and explain the differences between the two and the pros and cons of each one.

JPEGs are compressed photos, which means your camera looks at all the information it captures via the sensor and only saves the data it deems important and that’s what you get in your finished image file.
What does JPEG stand for? Joint Photographic Experts Group, which is the committee that created the file format. Sometimes you will see this file format abbreviated as JPG.

With JPEG, the file is in it’s modified state so there is not need to process anything. Once you download the file to your hard drive it is ready to open for viewing. The camera also tend to make automatic adjustments, such as color enhancements, saturation, exposure and so on. This format is the standard across all brands of cameras so the images are ready to view and print with no extra work. Because JPEG files are compressed they also tend to take up a lot less disk space than a RAW file, so a JPEG image file might only take up 2MB, where the same file in RAW format might be 10MB or larger. JPEG files, since they are so much smaller they can easily be emailed or uploaded to Social Media sites such as Flickr or Facebook, etc.


                                My puppy Gizmo, shot in RAW format and post processed by me.

The RAW file format doesn’t stand for anything, all it tells you is that the files are unprocessed and exactly as the camera sees the image from the sensor, just like the way your eye sees the scene. If the camera collects 10MB of data, then the file is exactly 10MB in size. What this means is that you can print the image in considerably larger formats that you can with JPEG files. When shooting in RAW, you maybe need more memory cards when out on a shoot so that you don’t run out of storage capacity during your shoot and you will most likely need an extra, external hard drive to store your images on and to process them from.

A RAW file is in it’s all natural form and as a result, the file needs to be processed by you using special software and this gives you full control over the colors, vibrance, saturation, exposure and so on. RAW files cannot be opened by anything like a JPEG can be and they cannot be easily emailed or uploaded as website don’t know how to render RAW files and mail servers will not allow those extremely large files to be sent in this format.

So now that you have all this information, which file format is the winner? Well, there is no clear winner, just as which system you choose to shoot with, Canon, Sony, Nikon, Fuji, etc it is more what your personal style and preference is.

I suggest using RAW if you plan to do a lot of post processing and want full control over the finished product. If file size is not a major concern and you intend to print at sizes exceeding 20 inches by 30 inches.
I suggest using JPEG if you are concerned about file size and space on your memory cards and hard drives. If you need to take a lot of photos in quick succession, such as shooting a sports event, then JPEG will allow you to shoot more images faster before filling up your cameras buffer. Also choose JPEG if you plan to do minimal post processing and you want to share large sets of photos by email or upload them right to the internet without converting or resizing them.

I personally prefer to shoot in RAW as I get the most information in my images from the camera’s sensor and I prefer to do my own post processing as the camera’s built in processing isn't always the most accurate. I also since I am an I.T. profession for my day job, I always have many Terabytes of storage and I also tend to buy the larges memory cards my cameras can use. For my new Canon EOS 6D, I am using a 128GB SD card. Now that we’ve covered the subject of RAW vs JPEG, get out there and make some great images.

Comments/Questions