Best Places to Buy Photography Gear on a Budget

Frequently I hear students say that they don’t have much in the way of photography gear due to cost of ownership. It is true that photography gear is not cheap, unless it’s cheap quality and hence gives cheap results. I’ve had quite a few students ask me how I have acquired so much gear in the last 18 months and I tell them all the same thing, you have to know how to find the deals.

1. Craigslist - Craigslist can be one of the best places to get a good deal on most anything, especially camera gear and lenses. I have bought numerous pieces of gear on this site, but you have to watch out for scammers and always meet people in public places like a coffee shop or store parking lot during the day.

2. eBay - eBay is handy for buying items too as you can find more sellers on there since they are world wide. The problem is you also run into more scammers. Also since you are buying on-line, there is no way to check out the item in person and you can get burned.

3. Pawn Shops - Pawn Shops are a great place to buy used gear and they often have no clue what they have. A person goes into a Pawn Shop to pawn their gear and the shop looks at what the gear sells for on eBay and then offers the seller like 25% of the actual value. If the person forfeits and the Pawn Shop can then sell the item, it is usually months later and the shop doesn’t really keep track of the value, they just price it to make a profit.

4. Local photography clubs - Often times you can find local photography clubs and there will be members selling gear from time to time.

5. Warehouse stores - Another good place are warehouse stores like Sam’s or Costco. Here you are buying new and getting a warranty and you get the better pricing offered by someone that can leverage volume pricing.

6. Amazon - Amazon is another great place to get camera gear and anything else. They have a wide selection of lenses from Canon’s FD to EF and Nikon, Sony and others as well.

                                          70-200mm F/4 L USM and 70-300mm IS USM

    The big thing to remember buying used gear is that you can get burned if not careful. If it sounds too good to be true, it probably is but sometimes you do get lucky and the person has no idea what they are selling. I personally bought a Canon EF 70-300mm IS USM lens at a local pawn store for $200 in mint condition. This lens new retails for $900. I also bought a Manfrotto tripod at the same store for $50 and it was missing the release plate that attaches to the camera. I bought a  new plate for $7 on Amazon, the tripod with the fluid movement head turned out to be worth $500. Just remember, if you buy used, test it good before you part with your hard earned money. Meet them somewhere public for safety and test the lens or whatever it is on your own camera body to make sure it is fully operational, NEVER take the seller’s word for it.

    Good luck with buying more gear and get out there and make some awesome images!

Comments/Questions

Backup Workflow for Photographers.

Backup, backup, backup. I know that we all know these words and think about them from time to time, but how many of us really have a solid backup solution for our digital files. The honest truth is that a drive will go bad, they are not designed to last forever and if you are just editing and storing your images on one drive you are asking for trouble. You should always be looking for ways to safeguard clients important images. After all you are getting paid to produce them so you certainly don’t want to loose any of them.

            So the best practice is for you to keep 3 copies of your files. This way you have 2 copies onsite and one copy offsite. It is very important to have the offsite copy in case of fire floods or theft. And when referring to a offsite location it should be 50+ miles from your location because if you flood out most likely everything near by will be doing the same. For some it might not be feasible to keep a drive 50miles from their location so in this case I would recommend using cloud based services though they do cost yearly to have and use.

            My Workflow is to upload my files directly onto my external drive, from there I copy them to a second external drive. I don’t really have a place to keep an offsite external drive so I use a cloud based service for my third copy. By having 3 copies of all your RAW files you can be assured that you will not loose your customers flies and that can be extremely important.

            I personally use Seagate drives but you may find one that you like better. I don’t really think that there is a wrong solution just as long as you have one in place. When looking into the cloud based services I would make sure that you shop around on them because some are unlimited files including RAWs and some are jpg only. They also charge different fees depending how much space you need. When you first start up a cloud service be ready to spend hours if not days awaiting all your files to upload to the cloud. When buying external drives I wouldn’t buy them any larger then what you think you will shoot in a year. This way though you have to keep buying new ones each year they are always fresh and shouldn’t break down.

Backup Work Flow:

Example 1 Main Drive  --  Backup Drive1 – Backup drive 2A  -- Backup Drive 2B

Example 2 Main Drive – Backup Drive  -- Cloud

Seagate Drive 2014

My Time to Bid Farewell

It has been a long journey, full of triumphs and frustrations, but well worth my time and energy.  I have told the story many times that before I began the Photography program knowing next to nothing about the field only that I loved taking photographs and my dream job was to one day be a National Geographic photographer.  I may not be a published photographer yet but it is certainly in my future because I know that I have the determination, ambition, and talent to achieve my dreams.  It's going to take a lot of hard work and time, but over these last two and a half years I have understood all-the-more that hard work pays off.  

A lot has changed since I started school.  For the longest time I was decidedly a Nature photographer but through the experiences that each class and each assignment had presented me with I was able to explore my strengths and weaknesses as a photographer--not something you can easily do by learning to be a photographer by watching YouTube videos.  I still love Nature photography but I now call myself an Editorial photographer.  My goal is still to one day work for National Geographic but in the meantime I plan on working for smaller publications to get more experience, continue building my portfolio, and also build a reputation and credibility as an established professional.   

These things took two and a half years to cultivate.  My plans may change tomorrow but that's ok because in photography we never stop learning.  I had no idea what it took to be a successful professional.  Now I know that it is a lot harder than it looks and I have a more profound respect for those who have achieved success in the field.  Here are some of the best personal tid-bits that I picked up while attending the Art Institute of Pittsburgh - Online Division:

My historic photographer counterpart is Eugene Atget.  

During Photo History we were presented with the notion that we are all inspired by someone from history but at the time I had actually never even heard of Ansel Adams.  I thought this was ridiculous because I didn't have any knowledge of photographers whom I might be imitating.  Through more research and study I found a photographer that struck me as so familiar in style and aesthetic and it was Atget.

You cannot teach passion or curiosity.

It has to come from within.  Instructors cannot instill these attributes.  If you do not have the passion for photography you will not learn how to be passionate about it.  The same goes with curiosity.  If you do not have natural wonder you cannot be taught how to derive a deeper inquisition.

Your demonstrated time management says a lot about your personal character.

I was only ever late ONCE.  It was a response to one of my peers almost two years ago but I have never forgotten.  It is disrespectful and negligent to wait until the last minute to post assignments and/or responses.  If, and inevitably when, something goes wrong you suddenly have excuses for your late post but ultimately you cannot blame anyone or anything but yourself for being a procrastinator.  Stop waiting until the last minute because it's not just instructors who notice and classmates like me, it's your employers, clients, and future clientele who are going to see how you not only manage your time but their time and yourself as a professional.

I am going to miss school but I am looking forward to stepping out on my own with the knowledge I have gained and show the world what a great photographer I am and will be.  Its been a pleasure meeting and working with you all.  Best wishes in your futures!

Works Cited

Atget, Eugène. "(1856-1927), Stubborn horse, 1898, France." Photograph. Encyclopædia Britannica ImageQuest. Web. 1 Dec 2014. 

<http://quest.eb.com/#/search/170_2983546/1/170_2983546/cite>

Atget, Eugene. "Chatillon, glycine, 1919." Photograph. Encyclopædia Britannica ImageQuest. Web. 1 Dec 2014. 

<http://quest.eb.com/#/search/109_165072/1/109_165072/cite>

Atget, Eugene. "Saint-Cloud, 1924." Photograph. Encyclopædia Britannica ImageQuest. Web. 1 Dec 2014. 

<http://quest.eb.com/#/search/109_165412/1/109_165412/cite>

Atget, Eugene. "Verrieres, coin...1922." Photograph. Encyclopædia Britannica ImageQuest. Web. 1 Dec 2014. 

<http://quest.eb.com/#/search/109_165097/1/109_165097/cite>

The End is Near but it's Far from Over

As I approach the final week of school I am realizing how important some elements of these classes are in preparing us to be released into the wild, to make the transition from student to professional.

In the early stages of school I wanted to be a "well-rounded photographer" who was capable of photographing anything and everything so that I could appeal to more clients.  There are classes that force us to choose one specific area of interest and however frustrating it may seem to settle into one niche, it does make putting together your portfolio as well as learning how to talk about yourself as a professional easier.  Having more work and experience in a certain area of photography still allows you creative freedom while you build a larger collection of images.  

My newly-developed area of interest, Editorial photography, was actually a lot easier to put together into a portfolio than it was when I called myself a Nature photographer because the Photography program allowed me to explore other areas of the field that I would otherwise not get to try in the real world.  I found comfort in nature but found my calling doing environmental portraits and photo stories from the assignments I shot for class as well as for myself.

You may be taking classes that you have no interest in but you will also have classes that inspire you.  I had my fair share of snooze-worthy classes but I also had a handful that really opened my eyes to my own skills and talents as well as one special instructor who inspired me to pursue the editorial genre.  Accept challenges as opportunities to grow, ask questions for better comprehension, and never stop shooting what you are passionate about.  

I recently had an assignment where I was required to use my strobes--I haven't used those in months so I was both dreading and looking forward to packing up my studio and doing an on-location shoot.  I was anxious because I had no idea what the location was going to look like but I definitely knew how to use my lights.  I actually felt confident going in to the shoot--something I had never really felt before when I did any portraiture.  At the end of the program it feels good to finally have confidence, but it feels even better knowing I worked hard to get where I am.  None of it came easy, not even this last class where I felt more frustrated and misunderstood than I ever have before, but I am proud that I never gave up.  I didn't have the extra time to work on my projects as I have in the past, but every time I do a photo shoot I find myself saying, "I love my job!"

Next week will be my goodbye post, but in the meantime you can check out my Web portfolio here.  

What classes have inspired you?  Tell me in the comments or share a story about how you have developed as a photographer since you started school!

(All photos in this post are my own.)

Personal Projects

   As photographers, we must always strive to find ways to keep from falling into a rut, creatively. We have to always be creative and imaginative in our work in order to make our clients happy. Over time you may find that you have lost that “spark” and photography is starting to feel too much like a job rather than someone you loved that you went to school to get paid for.

                                              old phone booth in Lincoln County, Ga

    A good way to stay “fresh” as a photographer and artist and keep your passion alive is with personal projects. Personal projects are photography projects that you come up with that are mostly for fun and to keep the spark ignited, but can also serve a purpose such as raising social awareness. I personally recommend and I know many of our professors so as well, that you always have one or two “pet” projects on the back burner, that you work on when you have time.

    Over time, becoming established as a professional photographer, you may even be commissioned by a client to do a photography project, such as the one Time Magazine sent Ed Kashi on, photographing the incoming Hurricane Sandy in New Jersey with nothing but an iPhone.

                                            from Ed Kashi's project on Super Storm Sandy

    For me personally, I am working on a personal project right now I call Forgotten Pieces of Georgia. For my project, I am traveling the back roads of Georgia, shooting old buildings, rusted old vehicles and the like and talking to people as I go to get more information about their area and the way it’s  been devastated by the poor economy. The project will take considerable time and effort as I am shooting in all 159 counties of Georgia, but yours doesn’t have to be as massive an undertaking. I am including a couple of shot from my project for inspiration as well as one of Ed’s from the Super Storm Sandy project he did for Time.

                                            abandoned Citgo station in Lincoln County, Ga

    So, think of a personal project that you would love to do, and just do it. You may not be able to devote all your time and energy to it as other things get in the way, but you can at least set some time aside every month to make some progress. Now get out there and shoot!


Source:
6 Famous Photographers Working on Epic Projects, Photoventure. Web. visited Nov 23, 2014 http://www.photoventure.com/2013/03/01/6-famous-photographers-working-on-epic-photo-projects/



Comments/Questions

Which Lenses are Better, Primes or Zooms?

    Another question I have frequently asked by other students and even members of my photography club is which lens is better, Primes or Zooms?

    This is an interesting question and can stir some debate. Primes are lenses with a fixed focal length, such as the Canon 40mm STM Pancake lens or the Canon or Nikon 50mm lenses, known as the “Nifty Fifty”. These lenses are not able to zoom in and out but they are extremely power lenses to have.

    Advantages of the Primes is they will be of a wider aperture than the zooms. My 40mm lens is F/2.8 and my 50mm is F/1.4, with the wider aperture, I can use these lenses in much lower light levels than I can say my 28-135mm F/3.5-5.6 lens, which covers the same two focal lengths. There are today zooms than can do F/2.8 but they are very expensive and I don’t want to get off track here.

    The other difference with Primes is, since they have a fixed focal length you have to get closer when shooting something. A lot of photographers like to use the “Nifty Fifty” for portraits, but you cannot shoot a portrait of someone from 10-12 feet with a 50mm as you will pick up too much background. Move in to around 3-6 feet and you will get a great portrait, depending on the style you are shooting for. The Prime lens will generally have a sharper focus to it, even at the wide end of it’s aperture and will cost a lot less money than a zoom.

                                    My mailbox shot with the 40mm STM from around 2-3 feet

    Zooms do have their places, however, such as shooting at an outdoor event like a concert or fair where you cannot always get close to your subject and really need or want to get the shot. In these situations, yes it’s great to have that handy telephoto zoom lens to get in nice and tight to the subject without risking yourself or interfering with anyone else, say law enforcement at an accident scene. Zooms have come a long way and like a said, a nice 70-200mm F/2.8 is one of the most popular lens from both Canon and Nikon, but it’s also got a hefty price of up to $2,500 where you can get a good prime generally for $140-$700.

                           My mailbox shot with the Canon 70-200mm F/4 L USM from around 20 feet

    So, do both lenses have a place in your camera bag, absolutely, and as a general rule, my Primes and Zooms will usually sit in the bag peacefully without fighting too much. I do challenge you to use your primes more, many photographers tend to get lazy or they are shy and don’t want to get close to their subjects. I encourage you to break out of this mode of thinking and get close to your subjects, as long as you can do so without getting hurt or killed in the process. I’m not telling you to walk up to the lion at the zoo and get in his face with your 50mm, but next time you are shooting people, say on the street, use that 50mm and get up close and personal.


Comments/Questions

5 Ways to Honor Veterans with Your Photography

There are special times of the year in which we can challenge ourselves to go out and do some good with our photography; this Veteran's Day is a great opportunity to shoot with some extra purpose.  With over 23 million veterans in the United States, there is a very good chance that you might know a veteran, have one living on your street, or have a Veteran's Day celebration of some sort in your town.  Below are five ways to give back to the brave men and women who served, fought, and sacrificed for our freedoms.

1.  Document a Veteran's Ceremony.

Documentary-style photography doesn't have to be your niche to take good photos for a good cause.  Towns big and small will have concerts, flag ceremonies, speeches, and parades from veterans that beg to be documented.  Consider attending an event with your camera and capturing those special moments, then offer the photos to the organizations or people you meet as a way of showing your support and/or appreciation.

2.  Shoot family photos for a veteran's family.

If you know a veteran or someone who is currently serving in any branch of the military, ask if you can shoot a free family session as a promo for Veterans Day.  Family photos are precious items for most people, especially those who are far from home, who may be deploying soon, or perhaps those with a long lineage of military service.  You don't have to schedule the shoot for November 11th, but you can introduce the promo and schedule a shoot when it is convenient for all parties.

3. Visit an army hospital, convalescent home or homeless shelter.

There’s a good chance you’ll meet at least one veteran in a recovery home with a military buildup around WWII and the Korean war.  Arrange to visit one of these places that take care of veterans and take your camera.  Listen to veteran’s stories and take their portraits to remember their stories.  It is unfortunate that many of our veterans end up in places like this without family and your company and attentive ear has the power to make a huge difference in their day of celebration.











4. Take photos of your hometown.

Take landscape photos of notable spots in your hometown and make them into cards to send to a veteran serving from your area.  There’s a good chance that with so many people currently in the military, some of them are bound to be from your hometown and having a photo of home could hold a lot of sentimental value to someone who is serving far away from home.  If you don't know of anyone to send these to you find an organization that pairs up service members with people who want to send encouraging notes such as USO's, VFW's, American Legions, and MWR's.

5. Volunteer with an organization.

Many non-profit organizations serve veterans and their families and often these organizations often need or could greatly benefit from photography to help further their mission and raise awareness for the people that they are serving.  Consider reaching out to an organization in your area to volunteer your services for a good cause.  It doesn't even have to be photography-related but will look good as a donation of your time that you can promote on your business site.


Do you have any other suggestions for honoring our veterans with photography?  Post a comment below or if you get the chance to try out one of these five suggestions I would love to see the resulting images!  Here is one of my own:

Works Cited

Donner, Nicholas. "5 Ways to Honor Veterans with Your Photography." craftsy. Craftsy and Sympoz Inc., 10 Nov. 2014. Web. 10 Nov. 2014. <http://www.craftsy.com/blog/?p=126291&ext=FB_PC_PP_Registrations_20141108_blog_26&utm_source=Facebook&utm_medium=Social%20Engagement&utm_campaign=Photography%20Club-Registrations&initialPage=true>

"Flags and Tombstones." Photograph. Encyclopædia Britannica ImageQuest. Web. 10 Nov 2014.
<http://quest.eb.com/#/search/139_1992968/1/139_1992968/cite>

"Florida, Miami, Biscayne Boulevard, Bayfront Park, Veterans Day PARADE." Photograph. Encyclopædia Britannica ImageQuest. Web. 10 Nov 2014.
<http://quest.eb.com/#/search/300_1821366/1/300_1821366/cite>

"Memorial Day Ceremony In Coconut Grove, Florida." Photographer. Encyclopædia Britannica ImageQuest. Web. 10 Nov 2014.
<http://quest.eb.com/#/search/115_2720589/1/115_2720589/cite>