Good Glass is More Important

One of the things that new photographers battle with is gear purchasing. Many photographers on a budget, especially while in school have a hard time deciding on how to buy the gear they need.

One of the primary things new photographers needs to remember is although it’s nice to have the latest, greatest camera bodies, it’s not as much of a necessity as high quality glass. Whether you are a Canon or Nikon shooter, each company has different varieties of glass with different levels of quality, but this is where you should be spending your money as a new photographer. This first image I shot on Sunday March 5, 2017 at the Folds of Honor QuickTrip 500 at Atlanta Motor Speedway. I did NO post processing, this image is straight out of my camera using the older Canon EF 100-400mm F/3.5 - F/5.6 L USM lens.

Camera bodies get updates almost every year, but lenses change less frequently and when it comes to camera bodies, unless the new model has some new technology that you absolutely need for your photography, you are better off spending your hard earned money on high quality glass. The reason for this is although Canon’s L lenses are really expensive, you can keep using the glass for a long time to come as it doesn’t become majorly outdated in just a couple years.

Even though Canon released a newer 24-70mm F/2.8 Mk II L IS or a new 85mm F/1.2 L USM, many pros are still shooting with the original models as they still take fantastic photos. I know when you look at say the 70-200mm F/2.8 L USM Mk II can sell for $2,000, you can often find the original one used in great condition for $900 and it will still work and make great images for years to come so you are going to get more out of that lens than you will $900-$2,000+ for a new camera body. This second image of Dale Jr's car being pushed from the garage to the pit area for the start of the race I captured with my 50mm F/1.2 L USM lens and again, NO post processing other than the lens profile correction in Lightroom.

There are many sites where you can buy good or even great condition previous model L lenses from reputable companies like KEH, Adorama, or B&H. If you are up on your lens knowledge you can also get good deals on Craigslist or eBay as well. If you want to try out a lens before you buy or be able to use one before you can afford to buy you can go ti sites like Kitsplit or Lumoid.

So, remember, before you spend that tax refund on a new camera body, look at buying newer, high quality glass for your current camera body and you will be amazed at how much better your images can be with high quality glass.



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Enough with the Pixels

So this week I got my copy of the new B&H catalog and on the rear cover is an ad for Canon’s new Cinema camera that is capable of 4.5K video. Every time I see this kind of stuff I think to myself, enough with the fake perceived new pixel resolution. The thing that irritates me the most is consumers being suckered into buying these products.

Why am I so annoyed, well because unless you read the articles about it over the last couple of years, most neuroscientists agree that these resolutions are undetectable by the human eye.

"There's going to be some density beyond which you can't do any better because of the limits of your eye," said Don Hood, a professor of ophthalmology at Columbia University, in a phone interview with NBC News.

A person's field of vision covers about 200 degrees, a little more than a semicircle. At arm's length their index finger's fingernail will appear to be about the width of one of those degrees. Imagine that fingernail covered in 120 alternating black and white stripes — being able to discern those stripes at that distance is just about the theoretical limit of the human eye.

In reality, though, hardly anyone has such superb vision. In fact, most people would be unable to discern pixels or lines twice that size. And whether a phone or tablet display meets that standard depends on how far it it is from the viewer. In a living room, a viewer's 40- to 60-inch TV is positioned at a fixed distance, probably seven to nine feet away. Unless pixel-hungry TV fans buy far larger set, or push their couches much closer, any increases in resolution simply won't be perceived.

Most experts agree that 3D was a more meaningful invention than 4K because at least 3D can be seen by the human eye.

So if piling on more pixels isn't the next big thing — despite what TV makers and retailers will try to tell shoppers over and over again — what is? Experts said there are plenty of ways displays could improve.

Neuroscientist point to newly developed "quantum dot" technology for displays that is already leading to far better color representation on some devices. Advancements in dynamic range, leading to displays capable of showing light and shadow in movies and games the way we see them in real life.

When you're in a scene where there's indoor stuff, outdoor stuff, glossy materials reflecting other lights ... that dynamic range is huge,. Consumer-grade displays don't get that stuff right.

Some of the great masters, the painters, they knew things about light and shadow. They kind of knew instinctively how the retina works. In other words, perhaps the secret to a better TV is hidden in the smile of the Mona Lisa.

So, keep all of this in mind, not only when you buy TVs and other displays, but also when buying newer cameras. If you think your customers will prefer the new 4.5K or 5K video, you are wasting your time, better to stick with what actually works, rather than having clients upset because you shot their wedding in 5K and they cannot see a quality difference.


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Simplicity

A lot of photographers suffer from equipment paralysis. By that I mean they buy too much gear, especially too many lenses and drag too much gear with them out in the field, then they spend all their time thinking about their gear, their settings, etc and none of their time concentrating on their images. What happens then? They end up with crappy photos over and over again, and then keep buying more gear thinking more gear will make they images better.

Next time you go out to shoot, try taking only 1 or at most 2 lenses with you. This should be all you need and you will spend more time concentrating on your images and less time thinking about your gear and your settings.

I challenge myself and the members of my camera club all the time to go out on our monthly shoots and only take one lens to do all their shooting. Move closer or further away as the case may be to get the shot and the framing you need to make that awesome image.

The weekend I went to Ian Henderson's Antique Mall, I shot with nothing but my Canon EF 50mm F/1.4 USM

There is an old analogy I learned when I was a kid called K.I.S.S (Keep It Simple Stupid). A lot of professional photographers have learned to keep their gear streamlined and that is how they become so successful. I remember reading on SLRLounge I believe it was about a year ago about one of the most successful wedding photographers in NYC. He shoots ALL of his weddings with a pair of Canon 1Dx bodies and never uses more than a EF 70-200mm F/2.8 L IS USM and an EF 135mm F/2 L USM portrait lens and this pro makes 6 to 7 figures a year shooting weddings!

When asked during the interview why he used such a small amount a gear he said, “To be honest in most cases a photographer seldom needs more than a good 70-200mm F/2.8. It’s the number one lens sold for a reason. I also use the 135mm F/2 L USM because it creates amazing portraits with fantastic bokeh, which is something the majority of brides want in their wedding photos.”

Thinking and a simplified approach to gear is why real pros can shoot with anything, even and iPhone and take amazing photos.

Comments/Questions

A New Year, New Opportunities

With the start on Friday of the 2016 calendar year we are faced with new opportunities as photographers. This is a good time to reflect on the past year and what worked, what didn’t and what you can do to change things up in the New Year.

Maybe you have an idea for a new personal project, or want to have your first exhibit of your work in a local gallery. Now is the time to be making those plans and working on making them reality.

As photographers, we must alway be learning new things, trying new things and challenging ourselves to be better, more creative and more business minded if we want to do this as our chosen career. Don’t let yourself get caught up in the hype of new camera gear coming out in 2016 with new bells and whistles, remember my earlier blog post about it not being about the camera.

Build on the the skills you know, become a master at what you do, but also learn new things. Don’t let yourself become stuck in a rut only doing one or two things when it comes to photography. You need to learn to be versatile and ready to tackle anything new head on.

One of the things I want you to avoid in 2016 is changing gear unless it’s absolutely necessary to your business. I have read article after article on pros who have started out on Canon or Nikon and sold all they had and switched to the other, or to Fuji, or Sony, only to eventually switch back. It’s a total waste of money to do silly things like this, so unless you have tons of cash to burn, don’t do it.

Generally, you are better off once you choose the system you are going to work with, to master it and stick with it. If you invest tens of thousands of dollars in bodies and lenses and then decide to switch systems, you have to sell all your gear at a loss because it’s used and buy all new again. Stick with what you have and learn to make it work for what you need.

You did’t originally choose the platform with the best high ISO, low light capabilities, then get better glass, like F/2.8 or wider lenses to compensate for that. Better glass is always a sound investment as you can use it over and over again for years on body after body.
For me personally, since I was side-lined by a bad car accident in October, I am dedicating my time and energy into drone photography for now. With my back messed up, I cannot walk a lot or stand for hours shooting right now, so I am learning and studying drones as a platform. I have already been working with three different systems to learn and train on and will be buying my first DJI Phantom 3 this coming week, so look for more articles and posts on my work with this new aerial platform in the coming weeks and months.

I can work with the drone platform, especially the Phantom 3 platform as it has the most intelligent systems of any drone on the market for photography. It can be set to basically fly itself so I can concentrate on operating the camera to capture great stills and stunning videos. All while sitting fairly comfortably in a chair, allowing my back to heal from my surgeries.

So, for 2016, I want you to get out there and take the bull by the horns and move yourself forward as a professional photographer and business owner. Expand your horizons, learn new skills, make your clients happy and LOVE what you do!

Comments/Questions

Christmas Sales for Shutterbugs

Since we are rapidly approaching the Holidays I thought this would be a good week to post an article on some good gift ideas you can share with your family if you are a shutter bug or gifts you can buy your shutter bug.

Canon released the 7D Mark II not long ago, which has been a very successful follow up to their popular 7D and now the 7D Mark II is $1,049 down from it’s original price of $1,400, but you have to buy it with a PIXMA PRO Printer. If you want to catch this deal, run on over to B&H to get one, according to our friends at SLRLounge.

One again Amazon is blowing people’s minds by dropping the price of the original Sony A7 Full-Frame Mirrorless to under $1000 for the holiday season. You can run over now and get it, body only for $998 here.

Another great deal on the B&H site is Sony SD 32GB Memory cards at 94MB/s for $12.99. That is an insanely low price for such a fast memory card and if you remember my post from last week about memory cards, this is one of the ones you want.

For some holiday gifts for under $50, you cannot go wrong with the following winners for shutter bugs.

Joby Gorillapod tripod now just $39.99 on B&H, I personally have one of these and they are fantastic. You can literally wrap the legs around tress branches, fence posts, etc and mount your camera on it for unique perspectives.

Fotodiox Canon 24-105mm F/4 L IS USM Thermos Cup - $14.95

Pelican 0915 Memory card case - $17.99 This model is for SD, Mini SD and Micro SD cards and is made of Tough Polycarbonate Resin and water resistant. They also offer a model for CF cards (Model # 0945) if you have those as well like I do for $17.48

Last but not least in my opinion is the RAVPower 15 Watt Solar Charger with Dual USB ports that is foldable with iSmart Technology. This is one heck of an awesome way to charge your iPhone, iPad, or camera batteries out in the field. I am getting one this year after listening to my friend SnapChick rave about hers on her YouTube Channel. Currently on sale for $49.35 on Amazon.

I hope you all have a very Merry Christmas and are lucky enough to be on the receiving end of one of these awesome gifts.


Comments/Questions

Photography Gear Luggage

As a professional photographer one of the things you will need to consider at some point and time is luggage for your photography gear. When it comes to packing and carrying your gear there are several ways you can do it depending on your needs at any given time.

1. Waist bags - these are small bags that you wear around your waist like a regular belt, but they can carry your camera and a couple of lenses and batteries. Think of them as kind of a fanny pack for your camera. There are several companies that make them from LowePro to Targus and they can range in quality and price from $20-$100.

2. Backpacks - These are just like they sound, you strap them on your back and carry your gear that way, great for hiking or walking around an event. They usually hold 1-2 bodies and 5-6 lenses and also have compartments for batteries, filters, iPad, laptop, and hoops that hold your tripod. They range in size from small to fairly large, are made by many companies from LowePro, to Targus, to Canon and Nikon and prices can run from $40-$300.

3. Rollerbags - These are similar to the suitcases people use to travel by air, they hold your gear and have a telescoping handle with wheels on the bottom and you pull them behind you. They can hold 2-4 bodies, 4-8 lenses, memory cards, Speedlights, filters, laptop, iPad, tripod and other items. They usually have multiple pockets and compartments and vary in size. Again they are made by the usual camera luggage makers, LowePro, Targus, Canon, etc, and can run in price from $100-$500 depending on the size and materials they are made from. You can also buy special roller cases that will carry your studio lighting for you as well.

4. Briefcase - These cases are usually made of quality aluminum and have foam inserts to protect your gear. The inserts can be ordered custom cut for your gear, but that usually makes them more expensive, or pick and pull, which means the foam is perforated and you can pick and pull pieces out to make your own custom size pockets for your gear. The most common maker of these is Zero Halliburton and they run $200-$800.

5. Durable Plastic Trunk - These are usually make of high strength plastic and again have the pick and pull foam to custom cut your own compartments with your fingers. These are most commonly made by Pelican Cases and range in price from $129-$600 depending on the size. Recently, Pelican started making a version of their trunks that have the telescoping handle and rollers wheels so you can pull it behind you instead of carrying it like a foot locker. They also come with padlock ports on each end to keep your gear secure.

Of course any time you have to fly for a shoot I would recommend the Zero Halliburton aluminum cases or the Pelican ones as they are the toughest and can be stowed in the belly of the plane. Some pros prefer to carry they heavy gear in these cases and stow them but carry their actual body and lenses in a smaller carry-on bag like a backpack to keep them with them at all times and not risk the airline losing their gear en route to a shoot.





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How to Keep Your Camera Dry in Bad Weather

So as you all know, we are headed into the fall and winter months here in the U.S., which means nasty weather. With the arrival of Hurricane Joaquin, we got a ton of rain in the Southeast, with massive flooding in South Carolina.

When headed out to shoot this time of year, you have to be mindful of keeping your camera dry with all the rain and eventually snow. One of the best ways to not have to worry about moisture getting into your camera is to buy a Professional camera like the Nikon D4S or the Canon 1Dx. Both of these cameras are weather proofed, which means they are sealed tight against rain, dust and dirt.

Now I am sure you are saying, “Yeah as a new photographer, I cannot afford a professional camera body, those things runs thousands of dollars.” I totally understand that and hopefully someday you’ll be successful enough to afford a professional body but in the meantime, there are a couple tips I want to share for keeping your camera gear dry.

1.) Don’t waste your time and money buying fancy camera water covers, you can go to a local store and just buy a shower cap to cover the top of your camera. It may sound silly, but those cheap shower caps actually work great for covering your oddly shaped camera.


2.) Don’t use your good lens cloth to get the excess water off your lens’ front element. Use a shammy to blot, not rub the lens to get as much water off as possible and then finish drying with the good lens cloth so you don’t get streaks in your photos.

3.) When done shooting in wet weather, put your camera body in a large Ziplock bag and toss in a Desiccant to absorb any lingering moisture. Canon support recommends ALWAYS using this third method when done shooting in rain or during the winter when it’s easy for your camera to develop condensation internally. I personally went on Amazon and bought a 50 count bag of 5 gram desiccant packs for $19.

So these are 3 simple tips to help keep your gear dry in rainy and snowy weather, now get out there this fall and winter and make some great photos!

Comments/Questions

Ways to Improve as a Photographer

This week I want to post ways that I think we need to use to always grow and improve as photographers.

Railroad crane shot at Southeastern Railway Museum

 1. Stop posting on photography forums. Too many times when lots of photographers post to the same forum the work starts to look too much alike. We want to always strive to be fresh and different.

2. Begin looking at art sites more often. Don’t always just look at photography sites, spend more time looking at art in other mediums for inspiration.

3. Start going to more museums and traveling exhibits, this is another excellent way to get inspiration.

4. Read and look at classic and contemporary art books.

Prayer bowls at Laotian New Year's 2014

 5. Force yourself to use a different lens each time you shoot. Often we get stale in our photography if we use the same lens all the time as we tend to always shoot the same kind of stuff.

6. Purposely stop taking the same kinds of shots when out in the field, recognize your habits and try to break them.

7. Start personal art projects, even if they aren’t popular with others.

8. Keep your eye on new technology, software and hardware, even if it’s not directly photography related. There might be a way you can use this new tech in your art.

9. Use your smartphone as a whiteboard to spitball ideas and possibly catch ideas and subjects that maybe you had not thought of before.

10. Ask “what if ___?” a lot and try to use your curiosity to come up with fresh, new ideas and projects to shoot.

I, and many others, find lists like this a great way to keep our work fresh and new at all times. Sometimes as artists, we hit a rut and then have a hard time coming up with new ideas for our creative outlet. By keeping a list like this handy, hopefully, we can always continue to come up with new things to shoot and work on and always keep things fresh and new.


Comments/Questions

Thoughts on Creating a Series and Presentation.

Good Morning and Happy Sunday... I have had a busy week with my current class and life in general. This Sunday I just wanted to touch base on a subject that I am currently dealing with, the subject is a photographic series. Im sure that many of you have seen these before. I know I have some are very interesting and others.. well, others not so much. Now the questions is why were they not so successful, I don't really have an answer, but the one thing that has been weighing on my mind is how the series is presented to the viewing audience. Does that series have that "WOW or SHOCK VALUE" factor. If they do then I would assume that they would be rather successful vs. the series that doesn't give the viewing audience something to think about or draw them in.

I have been working on my own series. Its the Post-Apocalyptic Gas Mask Series. Over the past few weeks I have photographed for this series, it part of my final project for class,but they will all fall into place when the project is done. The one thing I have noticed is that all the subjects I have photographed have one thing in common... The Gas Mask, they all have some "Shock Value", but Its missing something.. This weekend I figured out what it is, so I am on a quest to fulfill the missing aspect of my series. Until I get that done, I still have the task of figuring out how to present it. I thought of it as if it were a book. You have the title then all the chapters. I am in the process of working out the details, but if any reader has any suggestions or comments please feel free to comment,leave suggestions or opinions.. I love opinions. Again its been a busy week, sorry for a short blog today. Below are a few of the photographs from my current series.

 All Photos Taken by Wayne Salat

 All Photos Taken by Wayne Salat

 All Photos Taken by Wayne Salat

 All Photos Taken by Wayne Salat

 All Photos Taken by Wayne Salat

 All Photos Taken by Wayne Salat

All Photos Taken by Wayne Salat

Again if you have any comments or questions please feel free to ask.

Enjoy Your Sunday and Photograph Something Everyday!

Sunday Ambassador~ Wayne

Buying a Camera? I Just Did!

Good Morning my Tuesday morning aficionados and welcome to another edition of Terrific Tuesday.

Guess what! I just bought a new toy, yes I bought another camera!  My new toy is the Canon 7D DSLR camera.  As I was playing with it this weekend it occurred to me that the process of buying a camera is not an easy one, so I decided to use this blog today to share my point of view of buying a new camera.  Not everyone is the same and you may use different methods to come to the decision, my ideas here are personal ones that I want to share with anyone willing to listen.  So here are the steps that I used that I will share with you.  These steps are not all inclusive and I know that some of you have other considerations, but I think this will get you thinking about some topics.

Purpose of purchase – If you want to just buy a camera for family picnics, going to the beach and everyday situations you might just want to buy a point and shoot camera.  These cameras are very easy to use and like the name say, they are just made for you to point the camera to where you want and then push the button, the camera does the rest.

If you are into photography and want to buy a camera for the long haul, play with the settings and use it for professional type images, then the DSLR camera are the ones that you are looking for.  “These are your higher end cameras often used by professional photographers. They are characterized by larger image sensors and better photo quality. They offer the photographer the greatest control over the camera settings including complete manual control if desired” (Practical Photography Tips).  Once you decide what you are going to be using the camera for, then you will have a better idea of where to look.

Now remember that there are a lot of different types of DSLR camera and what is good for someone else might not be good for you.

Budget – I know that some of you might have started with this one, but without knowing what you will be using your camera for, you might have a hard time fixing the budget to the purpose of the camera.  If you are in the photography program with the Art Institute of Pittsburgh, you might have already received some information that talks about the different types of camera from the entry level to the most advance ones.

There is nothing wrong with buying an entry level camera to begin the studies and getting you used to the shooting of images with the different courses you will take.  There are cameras there from the $500.00 all the way to the Canon EOS 5D Mark III that would run you over $4000.00.

 

http://www.videomaker.com/article/15518-canon-eos-5d-mark-iii-dslr-review

Extras – This area will probably add up to more money than the purchase of the camera!  Once you decide what camera you also have to remember that down the road you will be purchasing equipment such as lenses, hot shoe flash, remote controls, extra batteries, SD or CF cards for example.  

If you follow these simple tips, you probably will get a great camera to work with.  To end this blog let me give you some last minute tips to remember.

1.    Buy a camera for now and for the future.  The reason I bought another camera is because the one that I started school with, was no longer proper for the classes that I am taking now.  I needed a camera capable of recording video for the current class (Time-Based Media), if you are going for your bachelors with the school, this is going to be a requirement for you.

2.    Research, research, research, and when you are done researching, research some more!  Find the camera that you will feel comfortable with, the one that you will love for a long time!

3.    If you live close to a camera store, go over there and compare the cameras, touch them, grab them and see how they feel in your hands.  You want a camera that feels like an extension of your arm when you use it on a daily basis.  There is nothing wrong with taking your time when shopping, remember what you are going to use it for, your budget and all the extras you will need.

4.    Remember that lenses are not interchangeable and usable from one brand to the other.  If you buy a Nikon, the lenses will probably not work with a Canon and vice versa.  Some other extras are universal, lenses are not, however if you buy a Canon or Nikon, the lenses will work within their own brand.

5.    Buy a new camera that comes with some warranty.  I know a lot of people are in love with Craigslist but I feel that when you buy a used camera you have no idea what has happened to the camera or how the images are going to turn out, or if the inside sensors are defective.  Plus remember all the extras that you might need, do you want to gamble like that?  Of course, this is a personal opinion!

I started my studies with the Canon Rebel XSi and it served me well for three and half years!  So, as you can see a good not too expensive camera will serve you well for a long time.  My new camera satisfies the requirement for the current class and will be with me for a long time.  Now I have two different cameras that can serve different purposes and be backup for each other.  If you want to start your research, here are some sites for you to start reading and researching.

Digital Camera buying guide:

 http://www.practicalphotographytips.com/digital-camera-buying-guide.html#axzz2f4IcyeDa

How to buy a camera, 9-step guide:

http://digital-photography-school.com/how-to-buy-a-digital-camera

Best DSLR for beginners:

http://www.techradar.com/us/news/photography-video-capture/cameras/best-dslr-for-beginners-6-tested-1058256

Nikon Vs. Canon:

http://www.kenrockwell.com/tech/nikon-vs-canon.htm

Well, hope this helps someone out there with buying a camera!  Let me know what you think and if you have any other tips, go ahead and share them with the readers, we all can learn from each other experiences.

Until later then, this is your Tuesday Ambassador wishing you a great day, don’t forget to keep shooting!

Tuesday Ambassador

Practical Photography Tips.  “Digital Camera Comparison”.  2012.  Web.  15 September 2013.  http://www.practicalphotographytips.com/digital-camera-comparison.html#axzz2f4IcyeDa