Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Sunday, October 4, 2015

Ways to Improve as a Photographer

This week I want to post ways that I think we need to use to always grow and improve as photographers.

Railroad crane shot at Southeastern Railway Museum
 1. Stop posting on photography forums. Too many times when lots of photographers post to the same forum the work starts to look too much alike. We want to always strive to be fresh and different.

2. Begin looking at art sites more often. Don’t always just look at photography sites, spend more time looking at art in other mediums for inspiration.

3. Start going to more museums and traveling exhibits, this is another excellent way to get inspiration.

4. Read and look at classic and contemporary art books.

Prayer bowls at Laotian New Year's 2014
 5. Force yourself to use a different lens each time you shoot. Often we get stale in our photography if we use the same lens all the time as we tend to always shoot the same kind of stuff.

6. Purposely stop taking the same kinds of shots when out in the field, recognize your habits and try to break them.

7. Start personal art projects, even if they aren’t popular with others.

8. Keep your eye on new technology, software and hardware, even if it’s not directly photography related. There might be a way you can use this new tech in your art.

9. Use your smartphone as a whiteboard to spitball ideas and possibly catch ideas and subjects that maybe you had not thought of before.

10. Ask “what if ___?” a lot and try to use your curiosity to come up with fresh, new ideas and projects to shoot.

I, and many others, find lists like this a great way to keep our work fresh and new at all times. Sometimes as artists, we hit a rut and then have a hard time coming up with new ideas for our creative outlet. By keeping a list like this handy, hopefully, we can always continue to come up with new things to shoot and work on and always keep things fresh and new.


Comments/Questions

Sunday, August 2, 2015

Post Your Work

 This past weekend I had the opportunity to watch an amazing documentary called Finding Vivian Maiers. This is a fantastic story that I personally think every photographer should watch, I don’t want to give too much away other than to say she was a woman who worked as a nanny and did photography as a hobby. She never showed her work to anyone, which is sad as she turned out to be an incredibly talented artist.

The reason I am bringing this up is not only because it is an awesome story but to also encourage all photographers to always post their work. I understand that not every photograph is perfect, and I encourage you to be your own critic first but when you do have your best images ready, you need to share them with the public. Post your work on your own site if you have one, join some of the good photography groups on Facebook, join sites like 500px.com or even the newer www.dashburst.com, which has just recently started as a new photography and creative artist site.

Blue Moon from July 31, 2015
You want to not only display your work but also be willing to take constructive criticism about your work. By that, I mean people who are willing to give you honest, accurate critics on how to improve your technique when it comes to your art, not some of the nasty people who just poopoo everything that is not their own. Another reason why I recommend 500px.com is you can actually sell your images on this site and retain 75% of the profits, which is nice and they have a very large list of legitimate, paying clients that will buy your work for various projects they have.

I also recommending putting your best work out there on Twitter, Instagram, with proper hashtags to get more exposure and it doesn’t hurt to have a Flickr account as well. I know it sounds like a lot to keep track of, but luckily, most of these sites will allow you to cross-post on the others. If you are not already familiar with Instagram, with their app on your phone or tablet, you can post an image with Instagram and then also share it on Facebook, Twitter, Tumblr, Flickr and Foursquare.

My point is, you will never know how good your work is or get discovered as an artist unless you actually share it with the world! Now get out there and make some great images!

Comments/Questions

Sunday, March 22, 2015

Top Ten tips for Success in the Classroom…

This weeks post comes from one of our other Alumni, P. Seth Roberts. Seth graduated with his BS in photography back in October of 2014. You can check out his website here.

Hello! My name is P. Seth Roberts, owner of PSR Images, and a former student from AIO. I have since graduated in October of 2014, with a Bachelor’s degree in Photography. I have been asked to create what I believe to be the top ten things to consider for success in the classroom. My list contains technical, academic, and personal considerations. I am honored by this request, so, I humbly submit the following list.

Be Open / Be Humble

When I first joined AIO, I already had several years of professional filmmaking under my belt. I wasn’t sure what, if anything, AIO could offer me. However, I also knew that if I had entered my studies with anything but a complete willingness to learn, it would ultimately prove futile. I learned more about capturing images through my complete commitment to studies than I did in my experience as a film director. My time at AIO not only made me a good photographer, but a much better filmmaker.

Also, remember, this isn’t a competition between you and your classmates, or you and the Professor. It isn’t whether your images are the best in class, but are your images the best they can be, for the sake of the assignment.

Criticism isn’t Mean, it is Critical

Learning to take criticism is part of the student process. Let’s face the truth of it, you will never impress or get everyone to like your work. That’s life, you have to learn to deal with it. People will love or hate your work for various reasons. You take it, and you move on.

However, criticism in class is NEVER meant to be destructive. I remember several classes when I did what I thought was my best work. I was ready for the shower of praises I felt was sure to come once I posted my assignment. Then, when I logged in and saw this litany of criticism from Professors and peers, I was devastated. I questioned whether or not I even belonged there.

Having the wrong attitude toward criticism will inhibit your growth as an artist, professional, and human being. I had to determine that I was going to be a photographer, and that meant putting on my big boy pants, growing thick skin, deeply considering the criticism, then making the changes that were necessary to my growth. Don’t let personal pride get in your way!

Breaking Away from Safe

By nature, I am a very introverted individual. New people worry me, crowds scare me, and the world to me is a dark and dangerous place.  With that said, my introverted nature was actually hampering my ability to perform as a photographic student, it can also be contradictory to the very practice of photography. Unless I was going to simply photograph my walls, I needed to go against the grain and step out into the world. It was uncomfortable, it was challenging, and at times I hated to do it.

However, once I took the step, and I adhered to the requirements of my assignments, (shooting in manual only, etc…), I noticed an enormous increase of skill and understanding of the science behind picture taking. We don’t get better by doing what we’ve always done, we get better, we become masters of our crafts, by doing the things we haven’t, the things that challenge us to depart from our very natures.

Owning a Camera, does not a Photographer make

Your Professors will say this over and over again, and it may become so repetitious that it becomes annoying, but ask yourself these two questions: 1. If it weren’t so true, so important, would so many Professors say it so often? 2. What does a photographer do, if he/she does not take pictures?

Taking pictures is what we do folks, and if that annoys you, then perhaps being a photographer isn’t for you. I get it, I understand, believe me. I have been sick, tired, stressed, all of that. Realize this, that only through practicing your craft, experimenting with equipment and light, will you ever become a professional photographer. Take pictures, take thousands of images.

Technically Speaking, Can You Do It Again
I remember several classes both for outdoor and indoor shooting when we were required to record all of our camera settings, for each shot. This included, lighting scheme, ISO, shutter speed, white balance, color setting, and more. This was done for two reasons, first to make you think about what you were doing and why. More importantly however, I feel it is to help you understand how you were able to create an image.
We’ve all been there, when we snap 400 images, hoping to capture the one that will be what we wanted, what we were hoping for. Not only does that waste time and energy, but it shows a serious lack of understanding about the science and aesthetics of good photography. That doesn’t mean you won’t take 400 images of a subject, however, knowing how and why things work will ensure that many of those images will be what you are looking for. Learn you camera, learn your light meter, and learn those pesky little settings, and you will see the quality of your work improve greatly.

Attitude and Habit Follow You Out The Door

Consider this, and if it makes you mad, well…. perhaps you should reconsider your attitude. Your approach to your studies, and your assignments will be the exact same way you operate as a professional photographer. If you are lazy and late, only do half the research, or try to fudge your way through your assignments, not only do your Professors know, but you will do the exact same thing when you open your own shop.

Your time at AIO is there to teach you not only the craft, but the professional habits and actions of a successful photographer. Treat each assignment, even written assignments, as if you’ve been approached by a client. While granted, some of the images I had passed in were a disaster, I put my best effort into each and every one. Only through risk and hard work, was I able to grow and become a success.

Communication

Talking with your Professors is paramount to your success. These highly trained and experienced experts are photographers that currently work in the field, and make money at what they do. If there is something, anything you do not understand, they are the BEST source of knowledge you will have far beyond anything you could learn in a text book, or from fellow students who are learning right alongside you.

That isn’t to say text books aren’t important. To the contrary, they are very important to building a solid foundation of understanding. With that said, books can’t directly answer question, but your Professor can. Reach out to them, it is after all what they do.

This should include times when you are confused about your grade, struggling with deadlines, or any other issues you may have.

Obstacles Are Nothing More Than Challenges To Overcome

I live in Maine and come from a small town, so there were two big challenges for me to overcome to meet several assignment requirements. These particular challenges were weather and a small population. It was often difficult to shoot in snow, and to meet particular assignments because we were far from any real large city or population center.

Do not let this become a stumbling block for your success. There are always ways of overcoming anything that gets in your way. It is times like this that you must learn to think outside the box. These challenges, whatever they may be, are not to be feared, but embraced. They will make you stronger and more effective as a professional photographer.

You will learn to do things you would never have thought of if these challenges hadn’t arisen. Believe me when I say, challenges will come with every shoot. The last thing you want is to be on a professional shoot, have something occur, and be unable to come up with a solution.

Study, Study, Study, then Study Some More

Studying is the very essence of learning and truly comprehending your craft. Fudging it, plagiarism, and trying to sneak your way through is unacceptable. It goes back to who you want to be as a professional. You must have a firm foundation of your art, if you truly expect to be a recognized contributor to photography.

Yes, there are so many text books, and so many chapters, and so much information you are expected to have, however, without it, you’re just another person with a camera, that can take cute pictures. To be successfully active within your field of study means that you have a firm grasp of the science, history, and aesthetics of the program.

On another note, many students attempt to enhance their images by “breaking or bending” the rules of photography for the sake of art. STOP right there. Before rules can be broken or bent, you must first have a clear understanding of the rules, why they are there, and how to “break” them in order to create the best image possible. Breaking or bending the rules of photography, especially as a student does not show a deeper understanding of art, rather it shows an ignorance of professional camera use.

Put It Into Practice

As I have stated earlier, your Professors are experienced professionals, currently working within the field of photography. When they give you pointers, PAY ATTENTION, and put it into practice. They know what they are talking about, and coming from someone who was a fellow student, it works.

This includes carefully constructed portfolios, well-made and functional websites, the proper use of social media, a smartly crafted artist statement, understanding context versus content, business plans, dealing with galleries, and methods of marketing. IT WORKS!!! Regardless of your brand, there is something in their wisdom and lessons for everyone.

These 10 methods worked very well for me, and while I could go on and on with many techniques that helped me to graduate with Dean’s Award, we could save that for further discussion. Each one of you has something unique to contribute. Don’t give up, don’t give in, believe in yourself. You will find your voice, I promise.
Comments/Questions

Sunday, June 15, 2014

Sunday Spotlight On: Scannography


“Scanner art?” “What is that?” “How did you make that?” “What did you make that with?” Those were some of the responses that I got when I presented my thesis to the class. It was a totally different style that I was use to shooting, but I knew that this was the way for me to go for my thesis. Scannography, Scanography, Scanner Art is the process of capturing images while using your flatbed scanner. The process is fairly easy and is actually fun because you can experiment with so many objects.


Quiana P Jackson. Love, 2014

My thesis was titled, Healing and these are two images that I had to choose from. I originally went with the darker image because it needed to be in the series. There are some amazing artists out there that are producing stunning images with their scanners. Some people may not consider this to be photography and that is okay! Art is an expression created by the artist.

Quiana P Jackson. Love, 2014
Some amazing Scannography Artist to check out:


I have always known of photographer Henry Hargreaves but I never knew him by his scanography images. He's mainly known for his high fashion photography or his food photography. Hargreaves created a one of a kind fashion shoot for a jewelry line with using just a scanner. 

 

Will this inspire you to create? I am your Sunday Funday Ambassador! Happy Shooting!



Work Cited: 

Hosmer, Katie. “Unique Fashion Shoot Taken on a Scanner bed.” My Modern Met.  9 Jun 2012. Web. 14 June 2014.



Tuesday, March 11, 2014

Feeding Time

Greetings fellow shooters! Tuesday Ambassador Stanley here introducing you to another Tuesday. As you all know I have departed my classes of Studio Photography and Marketing and I am currently pursuing Editorial Photography and Portraiture I. Let’s just say everything looks overwhelming right off the bat. Though, I think with solid time management I may be able to pull these two classes through. We will see.

Enough of that though as I have a little treat for you all to enjoy as my weekend was spent camping at a nearby lake. Many shots were taken that weekend but not as much as I had wanted, however, pleased none-the-less. I started with a time lapse of the night sky framed with branches and leaves waving in the foreground while the next day was filled with capturing shots of various birds, ducks, landscapes and anything that caught my eyes. Later that day was filled with more of the previously mentioned captures but instead of on land, I took into the waters.

Shooting while on water was a total transformation for me than it is shooting on land due to the fact that water is basically like a reflector when shooting birds that are just a few feet above the water. Since I am slowly starting to become known with my photo of the seagull getting splashed by the ocean, I decided to capture these wonderful creatures one last time before I would become fully devoted to the classes I am in now. I will admit, I was feeding them a ton of crackers while riding in the boat, but at least they are not feeding on plastics and such to try and stay alive. Better that they feed on stale crackers than to let it go to waste. The crackers were meant for the ducks but as I saw one seagull going in for a pick, another soon followed suite. I swear they come out of nowhere!

In turn these are the photos that came out to be and I feel that the timing I get when they are momentarily suspended in mid-air is peaceful and an art form in its own. All I can see is an art form with the way the light is cast upon each seagull thanks to the low setting of the sun and the hills and seagulls to slightly impede it. Oh do these birds move which ever way they can to get to their targets. =)











These guys as well as other birds, if I happen to run across them, are something that will never leave my sight. I just hope many of you do not lose sight of them either. And can anyone tell me how difficult it is throwing the crackers, stopping flying trash, snapping the photos while on the back of your mind you are hoping that you will not get pooped on? O.O And as always, thanks for reading.

- Tues. Amb. Stanley

I will leave you with this cute, big eyed bird that I have been trying to capture for several months after seeing this guy blurred out in several of my photos focused on different birds. Unfortunately I am unaware of its name and I hope I find out soon. Until next week.



Friday, November 15, 2013

A Photographic Challenge


Saturday Ambassador
Looking for an interesting challenge for your photographic skills? Consider abstraction:
 

Abstract, Deva Mayorga-Malone, 2013, Digital composite
 
You can create it, as in the digital composite above, with Photoshop's blending modes, effects and a bit of imagination. Or, you can find it:
 
 
Industrial Abstract, Deva Mayorga-Malone, 2013, Digital photograph
 
Either way, learning to see abstraction is a very good artistic exercise and will expand your horizons as a photographer. Knowing what the subject is surpasses the point of such art; abstraction is in the approach, an intentional effort of the part of the photographer to display only certain characteristics or qualities of the subject.
 
If anyone would like to delve into the art of abstraction, email small JPEG files to ambassadorsaturday@gmail.com and I'd be pleased to display them in my next post. Please include your name with the image if you'd like credit for it.
 
~Saturday Ambassador
 
 

 

Friday, June 28, 2013

Creating Art On-Demand


Saturday Ambassador

AI photography students come from all walks of life; some are embarking upon their first occupational journey, while others are endeavoring to enhance an existing career. Still others have re-evaluated their priorities and are pursuing an entirely new profession. Regardless, you are here because you have decided to utilize your artistic potential beyond the ordinary and learn new skills or strengthen existing ones.
Creating art is a labor of love. It arises from inspiration, emotion and innate talent. Perhaps, you have previously been moved to capture a remarkable natural scene or been asked to photograph the family for a holiday card. Maybe you enjoy shooting local sporting events for fun or documenting the antics of your pet. It is likely that you rely upon your own inspiration to create these photographs, but how do you approach a project that was contrived by someone else?
For many students, the concept of creating art on-demand is a rather unique experience. Advertising and promotional images, commercial portraits for album covers, magazine spreads and myriad other types of art are often based upon the ideas of a client or publication. The photographs you create may be subject to specific layout restrictions which may dictate which areas of the frame you can use, which colors will not interfere with proposed text and so forth.
               
Reflections of Schneider in Spring, 2012, Deva Mayorga-Malone, Digital Photograph
The Extra Mile, Schneider National Carriers May 2012 Newsletter Cover

At the very least, you must present imagery that conforms to your client's expectations. If your client is a bride, for example, she has every right to expect that you will capture all the important aspects of her ceremony in a manner that is not only technically correct, but artistically perceptive, as well.
Assignments in many classes are designed to challenge you to create within defined parameters. Although it can be frustrating at times, this is a valuable skill for every photographer to possess. If you pursue commercial photography, working as part of a team effort may define your role as a photographer. If you shoot retail portraiture, you will understand how to determine and deliver that which best suits your client.
Two questions commonly arise when students first probe the concept of art on-demand:
§  How do I make this type of art my own and still meet the client's requirements?
§  How do I achieve inspiration for such a project?
To address the first question, when you have developed a style that is uniquely yours it will be evident in just about any work you produce. Also, you are the photographer, so consider how you can mesh your vision of the project with the parameters that have been set. For example, if the client or art director is intent on a specific mood in the images, your ideas for lighting and color scheme will be instrumental in achieving it.
Inspiration doesn't have to come as a bolt from the blue; you can help it along by studying the work of other artists or discussing ideas with others. These things can help you to formulate a plan for your approach, which can be refined as you develop the concept.
Although your photography should always be sensitive to the needs or desires of the client for whom it was created, it should also express who you are as a photographer and artist.

~Saturday Ambassador