Showing posts with label subjects. Show all posts
Showing posts with label subjects. Show all posts

Sunday, June 21, 2015

What is Composition?

Composition is the arrangement of elements within a frame, which gives you the most powerful ability to attract the eye and hold it as long as possible. Edward Weston said it best, “Composition is the strongest way of seeing something.”

Basically, composition is all about keeping things simple and excluding what isn’t necessary to make your image appealing to the eye. You want to keep balancing what you get within your frame, when you strive for simpler and simpler, it makes your images stronger and stronger.

The last thing you want is a lot of random “junk” in your images, it makes them more distracting than appealing. Every time you raise your camera to make an image you should be creating your most basic and clean composition possible. Make your you don’t accidentally pick up items in the background or even the foreground. Branches, people, vehicles anything random like that will ruin your images and take away from the subject and story you are trying to say with your work.

If you practice simplicity and exclusion you will get to the point where it will become second nature for you as you shoot. Composition is all about getting the basic, underlying structure of an image to appeal on the most elemental portion of our subconscious mind. Doing this is what generates the “Wow” factor and catches the viewer’s attention. Take the image below, I shot this interior view for the leading lines going to the back of the room. The image is simple but give your eye a sense of depth and I made it black & white as I feel it makes the composition stronger.


Interior of an abandoned building

Composition is the organization of the elements within the frame and leads to the strongest cleanest image possible. Composition is not to be confused with framing, framing is what you do by zooming in and out or moving the camera up and down as you look through your viewfinder. Many photographers don’t realize this, but framing cannot do anything to change the relationship between objects in an image. The framing part is easy and you can usually frame an image after it’s shot by cropping.

The only way to change and optimize the arrangement of the elements in your image is to change your point-of-view and moving your camera to different locations. If you want to find the best composition then you need to move around, change your position, not merely the direction in which you point your camera. Never, ever confuse composition with framing, which is simply zooming in and our or pointing the camera or both.

Think of composition as when your girlfriend comes over and straightens all your magazines, cameras, dirty clothes and other stuff you left laying around the house. To you the mess made sense and you think the same thing about your compositions, which is why men tend to have the toughest time with composition. Most people set up for a shot in the most convenient spot and shoot away, zooming in and out and looking left and right, but that’s it. They figure they can fix it later in Photoshop or Lightroom, just like they’ll clean the house next week. Yes you can clean up your house next week, but once the shutter is closed, you cannot fix composition later. The only way to make a strong composition is to look through your viewfinder and make it as strong as possible before you ever press the shutter.

If you can, move the objects around or have your model move and re-position themselves to make the image as strong and appealing to the eye as possible. Keep your composition in mind at all times and you will make your best work! Now get out there and work on that composition.


Comments/Questions

Sunday, June 14, 2015

How to Use Focal Lock

Have you ever taken an image, say of people at an event and then later when you look at the image on your computer the people that were the subjects are slightly out of focus but someone in the background came out sharp?

This has happened to many new photographers but many of them do not know why. If it has happened to you don’t feel bad, because in this article I will explain how to correct for this issue. You can see an example in the image below. The couple are the subject but the old woman in the background is the one that is tack sharp.

What is happening is your camera has auto focus, yes but it does not always get the right subject with it’s focus lock. The best way to resolve this is point your camera at one of them subjects and press your shutter down halfway and hold it. This will cause the camera to focus lock on that person. Now, while holding the shutter button halfway down, re-frame your shot to include all your subjects. Once you have it frame the way you want the shot, press the shutter the rest of the way down to make the image.


Sample focus issue, notice the woman in the background is tack sharp.

Using this technique, you will see that you have successfully made your subjects focus tack sharp. This same technique can be use for other types of photography as well. If shooting Macro and you have a bee on a flower and you want to frame using the ‘Rule of Thirds’, you would use this same method. Shooting a landscape with a farmhouse in the distance, use this same method.

Most all professional photographers are familiar with this method to keep auto focus in the camera from ruining their shots. This is something ALL photographers should master early on so that you are properly prepared for shooting people at events especially.

Now get out there and make some great images!

Comments/Questions

Tuesday, January 7, 2014

My Last "Top 5" List

Greetings, welcome to another Terrific Tuesday!

This will probably be my last blog as a student of the Art Institute of Pittsburgh Online Division as I will be finishing my studies sometime this week!  Your Saturday Student Ambassador, Deva Mayorga-Malone and myself are doing our last presentation for our Portfolio on Wednesday and after that...we are graduates!

My name is Roberto Luis Gonzalez and I have been the ambassador for Tuesdays since the program began back in June of 2013.  It has been a great experience and I hope we have been able to provide some useful information here and there for our classmates and for those that are beginning the great journey in the field of photography.

I have decided to go back in time and share some of my classroom experiences in the form of "Top Lists", but this one will be a more personal one, so here we go!

Top 5 professors that I will always remember (learned a lot from them!):

1. Traeton Garl (PH 435 Fashion/Figure Photography) - After his first critique I felt like an amateur, but he brought out the best of me and from then on, my style was more defined and my vision clearer!
2. Maki Kawakita (PH 136 Lighting and PH323 Portraiture II) - Tough critiques all the time, elevated my technical aspects every single time.
3. Jill Mott (PH 342 Photo Essay) - I had other classes with her, but this one was a nightmare for me as I was never able to grasp the concept, her direction sometimes confused me and it was not until the end that I was able to see the big picture!
4. Damon Sauer - Once, I took two classes at the same time with him, I ended up posting assignments on the wrong thread in more than one occasion, he was always patient with me and encouraging.
5. Douglas Barkey - My last professor for my last class, had other ones with him but we never forget the last class and the last instructor.

Top 5 Photography classes that were difficult for me:

1. Marketing (PH 343) - A lot of reading, research, writing, exploring, re-doing, posting and re-posting while working two other jobs.
2. Business of Photography II (PH 332) - See above.
3. Digital Image Illustration (PH 134) - I remembered this one as the introduction to Photoshop, over 700 pages of information to be done in 5.5 weeks!
4. Portraiture II (PH 323) The concept of environmental portraits was a little weird for me at the time.
5. Photo Essay (PH 342) - For the longest time I kept thinking of photo story meets editorial photography and had the child of Photo Essay.  The concept and the timing of performing the assignments was not a good one for me!

Top 5 Personal Favorite Photography classes:

1. Studio Photography (PH 212) - New equipment to play with and the class only had two other classmates.
2. Lighting (PH 136) - Tungsten lighting and white continuous lighting creating shadows and cool contrasts!
3. Digital Image Management (PH 134) - Don't know, why but creating those contact sheets and learning about the management of images was something that stuck with me for a long time!
4. E-folio (PH 431) - Along with all the other portfolio classes, this was fun because I was able to start creating and establishing my website.
5. Thesis (PH 420) - This was one of those classes were I stepped out of my comfort zone and created a series on Boudoir photography.  This class was done around May 2013, and word of mouth since then has enabled me to make some profit in this genre.

5 Concepts that were "Easy to think about them, harder to accomplish" in no particular order:

1. Abandoned House Project - PH 412 Project Development
2. Gothic Magician - PH 323 Portraiture II
3. "Naughty and Nice" - PH 420 Thesis
4. The Retirement of Criska - PH 223 Magazine Photography
5. "The Duct Tape Dress" - PH 435 Location Photography

"Naughty & Nice" Photos by Roberto Gonzalez

"Gothic Magician"  Photo by Roberto Gonzalez


Abandoned House Project. Photo by Roberto Gonzalez














"The Retirement of Criska" Cover of Magazine Project


    























       Top 5 "I can't believe I actually enjoyed this class!" Surprise courses:
                               
1. ART 2100 The Afterlife in the History of Art - I had no idea what the class was about, but toward the end I was wishing it was a longer course!
2. FND 110 Drawing - Not part of the curriculum anymore but it was a good inspiring class that created a different perspective of how I saw objects in the open and in a studio.
3. ENG 2500 World Literature - The readings were extremely interesting!
4. BIO 2010 Nutrition - I learned a lot and still using the information I gathered from the class.
5. ART 1020 & 1030 - Art history course that helped with the photography history courses!

Classmates that I shared the most classes with, those in bold are part of my last course: 

Joe Mohn - "Keep On Firing" will always be tops in inspirational phrases.
Connie Rohne, Deva Mayorga-Malone, Doris Long, Rebecca "Peka" Simmons
Carolyn Lloyd, Lisa Bandy, Danielle Snider, Karen Sorby-Wirth, George Reis
Scotty McIntosh, Michael Barath, Ashleigh Shaeffer, Autumm Ginetti.

This has been a great experience and the learning that I have acquired is something that I will take with me forever, where ever life sends my way, I will be ready!

Thank you to all the professors and faculty for inspiring, pushing me while at the same time being patient adn always helping!

Thank you for all classmates that were part of my photographic journey, your critiques, comments and help was instrumental in finishing my studies!

In the words of our friend Joe Mohn, KEEP ON FIRING!!!

This is your Tuesday Ambassador, Roberto Gonzalez, wishing you a great pixel filled day!

Until we meet again, goodbye!!!