Showing posts with label Events. Show all posts
Showing posts with label Events. Show all posts

Sunday, February 15, 2015

How to Deal with Stubborn or Mean Subjects During Event Photography

So one of the students this week posted about some trouble they had had with people not wanting to be photographed at a local event they were shooting for one of their photography classes.

This student had really had some cranky people that they ran into during a public event and asked how to best deal with situations like this. A few of us posted our suggestions and even a couple of the professors chimed in as well with their wisdom, and when it comes down to it, Reuben Njaa had one of the best responses, “Kill them with kindness.”

In photography, there are just certain things that we have to learn to deal with and overcome and one of the toughest is cranky subjects when trying to complete a shoot. Human nature is a sometimes funny thing and one of the oddest quirks that people have is not wanting to be photographed. Some of the Native American tribes as well as other more “primitive” groups of people felt that the camera would steal their souls and they would not be able to get into their Heaven.

The best way to deal with people that yell at you that you cannot take their picture when you are at a public event is to just apologize and not take their photo. Many times, you can change their mind by explaining that you are a professional just doing your job or in your case, a student doing an assignment. Often if you carry yourself as a professional with an air of confidence, you may just convince them to let you complete your assignment with them included.



                                          Concession worker at Gwinnett County Fair 2014

If being the confidant professional doesn’t work you can just apologize and move on. You need to learn to develop a “thick” skin as a photographer as we are not a profession that is truly loved by all. Often a few kind words and an apology and just move on are the best ways to deal with difficult and cranky people. I have found from my own personal experience that having some sort of professional credential helps a bit.

I am not saying that you have to run out and join a group like NPPA, but I did and I upgraded from their student to their Professional membership. Why? Because I not only get a free freelance photojournalist listing in their directory for potential clients to find and hire me, but I also am able to get a photo ID from NPPA with my professional membership that to me is pretty sweet! The IDs are not free as they are produced by a third party company for NPPA but I still feel it’s worth it as it shows you are a professional and most people know that NPPA has to do with news and news outlets.

I wear my photo ID lanyard when I am out shooting for my personal project and it also helps keep the cops away when I am shooting in posted areas or just in general. Is it a fool proof get out of jail card? No it’s not but sometimes a professional credential of some sort is all you need to convince them that you are someone that knows what you are doing and that you are not there to hurt anyone with your camera. You would be surprised how many times I have had people spot my NPPA ID around my neck and they ask me, “which newspaper are you shooting for?” I just told them I was a freelance photojournalist and that was usually sufficient. Some pros will actually make up the name of a phony newspaper and even go as far as having business cards made up with the name of their phony newspaper on them. I have not decided to go that far yet but again, your mileage may vary. I did shoot a local event for Editorial Photography class at a place called Corn Dawgs and there was a lady there giving free hay wagon rides with her tractor. She was’t into the idea of her photo being taken until she found out I was doing it for a class assignment. She just didn’t want to end up in the local paper when she didn’t “look her best”. Once I explained it was for a class assignment, then she said, “Oh, well then shoot away.”


                                           Lady giving hay wagon rides at Corn Dawgs 2014

This post is some of the best, straight forward advice I can give on this subject. The key here is to not be discouraged, work on that thick skin and get back out there making great images.


Comments/Questions

Wednesday, March 5, 2014

Wide-Angle Wednesday: Shooting Macro

Welcome to the middle of the week!
Today I would like to share a theme I have been working on for my current course in Digital Image Management PH124. In week one of the course, students were asked to select four themes. The themes once approved by the instructor would be our primary focus in shooting next to learning how to organize and manage images in Lightroom.

The four themes I’m working on are Nature, Historical, Reflections, and Macro. The first two themes are in my comfort zone to shoot, but the last two themes was a challenge I purposely imposed on myself. I had never shot macro, and reflections have never been my strong point when shooting nature.

I decided to treat myself with a new lens, specifically the Canon EF 100mm f/2.8 Macro USM. Knowing that I really have no idea to what I’m jumping into in regards to macro photography, I started to watch video tutorials. Of course when the lens arrived the best way to learn anything is to get out and shoot!
Corina Scoggins Week 1 Macro "Holly Berries" Feb 2014
In the first week, I tried to handhold the camera a lot. Guess what in macro photography any camera shake in magnified. Lesson number one, use a tripod or try to stabilize your self by leaning against a solid object as much as possible. Lesson two for myself was not to have high hopes in achieving the finest of details the first week in using this lens. Just like anything we shoot, practices makes perfect. I tried a few moving subjects, and realized I needed to jump back and focus on subjects who were stationary to better myself using the lens.

Corina Scoggins Week 2 Macro "Algae Bubbles" Feb 2014
In week two, I focused on understanding the working focal length of the lens. Basically how close can I get to the subject and maintain a good amount of focus. I have realized now that when using a macro lens, the full frame will never be in complete focus. A light bulb went off in my head, to research why? We have all seen the macro images of insects and flowers in which everything is in pristine focus. Once again the video tutorials lead me to understand that macro images could be many frames stacked in post editing to achieve the clear full frame focus we have come to see. Of course this is a very small explanation in achieving full frame focus, as I have come to learn macro photography is beyond just clicking the shutter button. There is a lot of science involved first in understanding the subject, lighting, depth of field, and angle. 

Corina Scoggins Week 3 Macro "Vivid Carpet Fibers" March 2014
 Now I’m in week three of the course. We had an ice/snow storm blow through Sunday night, that I thought I could try to capture some snowflake and ice images. A couple images come back with detail, but of course I wasn’t satisfied with the images. I had mentioned in an assignment essay that I was disappointed in the images and truly felt that the images could never be seen as “macro”.  I was asked to further explain why, and it’s because I keep fighting the fact that the images are not in focus.

Corina Scoggins Week 3 Macro "Snowflakes on Blackboard" March 2014
The blog today won’t solve the issues, but it’s an example that we as photographers are always learning. I like to think I opened up a can of worms when I selected to shoot macro? I knew Macro was a challenge. Something I haven’t mentioned was lighting, because I haven’t used anything additional. Another aspect I need to read into as I’m learning that external lighting is very much used even in full natural daylight.

Sometimes I need that reminder that I’m truly a student, and far from being a photographer shooting for National Geographic. Critiques can be misleading, if the viewer is not honest. Of course honesty starts with one self, and honestly this is a work in progress. After all it takes a lot to write about issues and post it to a blog for all of the Photography Student Professional Network to read.
 
Corina Scoggins Week 3 Macro "Blue Sleet" March 2014
Today I ask the viewer to share your comments, stories, and suggestions. This response does not have to be related to the subject of macro photography.

Before I forget, tomorrow is Photo Live: Get Connected! Every Thursday Faculty host a live webinar for students to attend free of charge. Check out the event’s page on PSPN for upcoming Photo Live and Artist Talk events. Depending on the current course you are in, attendance in the event’s can earn you extra credit. More importantly you can connect with Faculty and fellow students, ask questions and learn something new.
*Note: In order to attend the webinars, software will need to be downloaded and installed onto your computer in addition to registering for the event. Once again this software is at no charge and it’s a very simple install.

Corina Scoggins Week 3 Macro "Chert Rock of RBX" March 2014
From my camera to yours,

Wednesday Student Ambassador Corina

A video I really liked this week in regards to Macro Photography
Youtube Channel: Mike Howard

#86 - Don Komarechka - Macro Photography - jpeg2RAW Photo Podcast