Showing posts with label budget. Show all posts
Showing posts with label budget. Show all posts

Thursday, September 24, 2015

Costing a Photography session for your Clients?

Good morning everyone.

Well what a month we have just had. I had a few weddings to shoot this past month and I have to say that the amount of time I spend on shooting for a wedding and the amount of time that I spend editing and delivering images to my client can be quite exhausting, and needless to say very time consuming.

This made me think about the expense that actually goes into costing a particular shoot for a client. Yes, I know we have Blinkbid and a few other tools, I use Quickbooks online to get all my invoicing and banking sorted out. But no matter which application you use it always boils down to how much are you willing to charge your customer so that you can get the job, yet at the same time make enough money to pay for your bills, feed the family, have enough for insurance, buy new equipment, fix old equipment, transport, mortgage, rent, etc... and the list goes on and on.

Now you look at the market place and the guy down the street is charging $59.95 to do a family portrait shoot. What are you going to do? How can you compete with people that are charging such a small amount to get clients? How do you compete in this type of market.

Well, I am talking from experience here when I say this; I am sure you are also gong to be going through similar torments and agony about how to charge your customers. "I cannot survive charging only $59.95 for a portrait session!"

Now take a deep breath and now breath out. You cannot survive in this industry if you try and compete with every single person that is trying to under-cut everyone else in the market. Before you know it you have more expenses than income and you are out of business. This is what I did in the beginning thinking that I could get quite a few clients quickly and make lots of money. It worked for a time but the sad thing was that now I was thought of in the market place as the cheap person and I found myself losing money at every turn.

I had to change my way of thinking. I had to work smarter and charge more to make my business work for me.  I am not saying it will work for everyone, but I make a small profit on every client and I can pay for all my expenses that are generated from a photograph session and I have a little profit over to invest back into my business and save for a rainy day. This is what I did.

Firstly, know what it costs to run your business! I used NPPA calculator to give me a rough idea about what my costs are per year and the amount of shoots that I actually do or would like to do make a living. Here you punch in your expenses for all the tools that you actually use in your business and the amount of days that you have available to shoot or get clients and it gives you


  1. Your total annual expenses
  2. Your weekly cost of doing business
  3. Your overhead cost for each assignment
Number 3 is what I use the most. Just to shoot a 1 hour portrait session tells you the minimum amount you need to charge just to get out of bed. 

As an example, I punched in all my data and as a portrait and wedding photographer I wanted to be booked for 10 months of the year. 2 Months for holidays and vacation off with the family etc.. and then I used 5 days a week for weddings and booking portrait sessions. I think that is fair, but you can change your requirements based on how busy or how little you want to work. At 4 weeks per month and 5 days a week that gives me about 200 days of work. 



Now I used generic figures in the calculator so these are just examples. Remember to put your actual figures to get a more realistic number. So as you can see I have an overhead cost for each day of approximately $448.50 just to break even. 

Now if you take that figure and make your bookings based on these figures you can see that you might need to do 10 1/2 sessions @ $44.50 or you need one big paying client @ $448.50 to cover all your cost of sales. The point here is to actually see the amount of money that is required just to cover your waking up in the morning money.

So for me that would be 2 weddings a month and then quite a few portrait shoots, headshots and any other photography sessions tat I can book.

Well now that you know what your expenses are you can make a more informed decision about how much you need to charge your clients for their sessions.

Here is a quick example. Know what your daily expenses are, would you say that you may be able to realistically do only (5) 1 hour sessions a day? That leaves you with a cost overhead for each session of $89. Therefore the guy down the road running the $59.95 dollar deal has to make sure that he gets at least 10 clients a day just to make a living and make $15.45 profit. 

Now, he has not done any editing yet and I can vouch that he has not costed this into his schedule. So he is working at least 10hrs a day making only $154.50 profit. Do you think this is sustainable. What about editing time, time spent with family, sleeping etc.. I can say that sooner rather than later he is going to be going out of business. I tried this people and it is not sustainable. It sounds good on paper, but when life throws kids, shopping runs, cooking, school and just relaxing time in your path you soon realize that there is not enough time in the day to do everything. So you are going to have to work smarter rather than harder.

How about trying this. Charge $159.95, offer your clients more rather than less. What am I trying to say here. For $59.95 I am sure the client still has to buy their own prints and then they have to pay for shipping and packaging. I realized this early in the game. When clients get more value for money they tend to spend more.

So instead of discounting how about charging more, $159.95, you still have your $44.50 cost but now you add in some prints. I give them 5x7's, two 8x10's a wallet and maybe a (4) 4x6's. This additional cost is approximately $24. Out of this the customer pays for shipping and boutique packaging. (Now I look really professional when I deliver my photographs) so the cost to me is $12. 

Let's break it down:

  • $159.95 1-hour session
  • -$44.50 (cost of doing business)
  • -$12  - additional incentives for charging more
You now land up with a profit of $103.45 for each session. You now have to do just 4.338 sessions per day and you still get your cost covered. This is what I call working smarter. You are offering the client better value for the money that they are spending. You are delivering a better quality product and most importantly you are making an impression building great customer relations.

Yes, it all sounds so easy, but it is not. It took me two years to get to a point where people knew me in my neighborhood. I did my marketing at my kids school, advertising on my car,  a sign outside my house and most importantly, word-of-mouth. I use all the free social media methods and I am constantly talking about my business. Remember the examples above are just that, examples. You have to build a business model that works for you based on your numbers. The business months cover the lean months, like this month and the weddings did for me. I have two months of vacation in December and January when the snow is thick up here in the North East so that has to be taken into consideration.

So in closing I would just like to say. Get a plan in action and don't worry to much about the guy down the street trying to under-cut everyone. Work your plan and your numbers. Stay profitable for every shoot and you will be able to survive in this business.

As always, if you have any questions or want additional information about what I did then please leave a comment below and I will definitely get back to you. 

As we go into the holiday season I wish you all the success and profitability that you deserve.

Denzil


Tuesday, October 14, 2014

DIY Creative Tips & Tricks to Try!

There are a multitude of tips and tricks out there for photographers that it seems like we never come across anything new - until now!  Below is a list of eight totally weird but totally cool tid-bits of knowledge to add to your growing inventory of photographic wisdom!  Some you may be familiar with, but I guarantee there is something new here to consider one day!



1.  Don't have a tripod?  Use a lamp!  

Yes, that's right, a lamp has about the same thread size as the filter thread used on tripods.  If you're in a bind or feeling innovative try this out!


2. A PEZ dispenser will fit on a hotshoe mount.

Yep, you read that correctly!  Next time you anticipate photographing a young child and need something to help them focus their eyes on your camera, try mounting a cool PEZ dispenser on your camera to capture their attention!

The base of the dispenser is just a tiny bit wider than the mount so you will have to trim a little off using a knife to get it to fit, but I am sure this cheap trick will pay off!


3.  Turn day to night!

Shooting in daylight but not getting enough diversity?  Try this trick:

Turn your flash power up really high--even to the maximum.  This will definitely make the subject extremely over-exposed but if you adjust your camera settings to expose for the subject it will make the background look extremely dark because you're not exposing for the ambient light and the flash isn't hitting it.  This will make it look like it’s night time even if it’s the middle of the day.  Try it!



4.  Macro photography without a macro lens.


Take it off, turn it around and shoot!  It is recommended that you use a tripod when shooting this way, maybe this would be a good opportunity to try out that lamp!

"There are four things you need to know about using this trick: (1) Your camera won’t take a picture with the lens off unless you’re in manual mode.  (2) The best focal length seems to be around 50mm, so either a 50mm prime or an 18-55mm kit lens would be perfect! (3) Obviously, you lose autofocus since your lens isn’t attached to the camera.  Focus is achieved by simply moving closer to or further away from the subject, and (4) The camera can’t open up the aperture, so you’ll do it with your hand.  On the back of the lens (the side you mount on the camera), move the little plastic slider piece that controls the aperture.  If you look in the lens while doing it, you’ll see the hole open up." (Harmer)

5.  Delete tourists without all the editing.

Got an awesome shot but people keep getting in the way?

Step 1: Set your camera on a tripod, or lamp.

Step 2: Take a picture about every 10 seconds until you have about 15 shots, depending on how fast and how many people are walking around.

Step 3: Open all of the images in Photoshop using File > Scripts > Statistics.   Choose “median” and select the files you took.  (The “statistics” script is only available in Photoshop Extended or in the Creative Cloud version of Photoshop, however, you can get a somewhat similar effect in recent versions of Photoshop Elements by going to Enhance > Photomerge > Scene Cleaner.)

Step 4: Boom!  Photoshop finds what is different in the photos and simply removes it!  Since the people moved around, it fills the area where someone was standing with part of another photo where no one was there and now you have a clean scene as if you were the only one there!


 6.  Shaped bokeh.

Have you ever seen bokeh with lights in the shape of hearts, trees, or other shapes?  Here is a trick to get the shaped effect without buying an expensive shape kit!  All you have to do is cut out a piece of black paper the size of your lens glass.  Then use a sharp knife or razor blade to cut a shape on in the middle of the paper.  The shape should be slightly bigger than a nickel.  You will only see this effect if you are shooting with a large aperture like 1.4 or so; if you’re shooting at f/5.6 on a kit lens you probably won’t see the effect at all.

I have actually tried this myself and was unable to get a completely satisfying result.  I definitely got it to work--I tried hearts and stars--but I had a really tough time trying to get rid of the vignette.  I was using a full frame camera so maybe if you try this using a crop sensor I would really like to hear about your results!


7.  Circular reflector as a backdrop.

Sometimes when you're on location you might get a shot that would look really good against a white background.  This is where your reflector will come in handy!

"The trick for making this technique work is to use positive exposure compensation.  The camera will try and dim down the white background to a dull gray because it thinks the white is overexposed. About 1 stop of exposure compensation will make the reflector background look bright white." (Harmer)


8.  Insulation reflector board.

Some of my favorite pieces of equipment have cost me less than $1, this is practically no different.

Most circular reflectors only work for a headshots of one person.  You can purchase a large, full-body reflector but they can often cost around $70.  Simply purchase insulation board for $5 and then cover the back and edges with white duct tape.  You can find insulation board with reflective silver backing at any home improvement store and now you will have a large, lightweight multipurpose reflector!





Do you have a cool trick or tip to add to the list?  Let me know in the comments below!  If you get a chance to try one of these out I would love to hear about your experience too!

Thanks for reading today!



Works Cited

Harmer, Jim. "9 Weird Photography Tricks That Actually Work!" improvephotography. Improve Photography LLC, n.d. Web. 13 Oct. 2014.  <http://improvephotography.com/8806/photography-tricks/ >

Harmer, Jim. "bokeh trick." Photograph. improvephotography. Improve Photography LLC, n.d. Web. 13 Oct. 2014.  <http://improvephotography.com/8806/photography-tricks/ >

Harmer, Jim. "candy dispenser camera trick." Photograph. improvephotography. Improve Photography LLC, n.d. Web. 13 Oct. 2014.  <http://improvephotography.com/8806/photography-tricks/ >

Harmer, Jim. "crowd before-after." Photograph. improvephotography. Improve Photography LLC, n.d. Web. 13 Oct. 2014.  <http://improvephotography.com/8806/photography-tricks/ >

Harmer, Jim. "day-night flash." Photograph. improvephotography. Improve Photography LLC, n.d. Web. 13 Oct. 2014.  <http://improvephotography.com/8806/photography-tricks/ >

Harmer, Jim. "JIM4025-300x198." Photograph. improvephotography. Improve Photography LLC, n.d. Web. 13 Oct. 2014.  <http://improvephotography.com/8806/photography-tricks/ >

Harmer, Jim. "lamp camera trick." Photograph. improvephotography. Improve Photography LLC, n.d. Web. 13 Oct. 2014.  <http://improvephotography.com/8806/photography-tricks/ >

Harmer, Jim. "lens backwards." Photograph. improvephotography. Improve Photography LLC, n.d. Web. 13 Oct. 2014.  <http://improvephotography.com/8806/photography-tricks/ >

Harmer, Jim. "reflector board." Photograph. improvephotography. Improve Photography LLC, n.d. Web. 13 Oct. 2014.  <http://improvephotography.com/8806/photography-tricks/ >